Gauri, a student, is dating a worker at her father’s hawker stall. One day, she discovers she is pregnant—news that worsens the fractured relationship with her father and stepmother. During a visit to the gynaecologist’s clinic, Gauri strikes a chord with her doctor, Radhika, who is struggling to come to terms with a huge loss in her life. Their unlikely bond proves to be a welcome change in both their lives.

After experiencing a mass shooting that took his wife’s life, Nolan now suffers Agoraphobia. Pummeled by fear, Nolan refuses to leave the confines of his home. However, when the laws of time and space begin to do strange things within his apartment’s walls, he must battle his fears or suffer a fate worse than death.

Aditya Singh, fondly called Adi Chachu by the children of his brother, lives in a large mansion in Mumbai with his brother, sister-in-law, sister and grandmother. He is the only one working in the family. He falls in love with a local teacher, Priya. They confess their feelings to each other and plan a wedding. However, before the wedding day Adi is run over by a truck to save Parth and dies. In afterlife, he meets The Hindu God of Death, Yamraj, a kind-hearted, emotional deity with designer clothes and an red old car. Yamraj allows Adi to go back to Earth as a ghost to stop his evil uncle who wants to sell Adi’s mansion to industrialist Hirachand. Adi enlists the aid of Shakti, a little boy, in order to save his family home.

After a team of cheerleaders are burned to death in a gruesome sprinkler accident, the one who got away, Tanya returns to cheerleader camp. Joining her are an all-new squad of drop-dead gorgeous mean girls from competing high schools who chafe under the strict rules set by Coach Paddington (Jennifer Banko). With a lustful caretaker (Ari Lehman) lurking nearby, the team struggle to get along – but soon their life depends on it! When someone in a panda costume begins killing one girl every hour, it’s up to Tanya to piece together the clues before time runs out.

After her husband’s death, Mrs. Hata desperately needs help on her cucumber farm. Rinko’ mother wants her to spend the summer helping Mrs. Hata, her life-long friend. But 12-year-old Rinko sees Mrs. Hata’s traditional Japanese ways as being backward and “crazy.” When she gives in to her mother’s request, she discovers Mrs. Hata is kind and courageous, fighting to save her farm. Before summer ends, RInko comes to appreciate and defend “crazy” Mrs. Hata.

Five years after the death of schoolgirl Andie Bell, Pippa Fitz-Amobi sets out to uncover what really happened to her. Sal Singh, Andie’s boyfriend, admitted to the murder before taking his own life, but Pip doesn’t believe he’s responsible and teams up with Sal’s brother Ravi to uncover the truth. If Sal Singh isn’t a murderer and the real killer is still out there, how far will they go to keep Pip from finding out the truth?

Captain Fedor Volkonogov works in law enforcement. He is on the good books of the management, and his colleagues respect him. But one day, his life abruptly changes: he is declared a criminal. The Captain manages to run away before he is arrested. Suddenly he turns into an outcast, whom his former colleagues search across the whole city. At night Volkonogov is visited by a messenger from the other world, who warns him that after death he will go hell and be tormented forever. But he has an opportunity to change his fate and get to paradise if he repents, and at least one person forgives him. The Captain embarks on his way to find forgiveness. But he cannot even fathom what tests are awaiting him on this way.

After the death of her father, Natalie Travers (Melissa Gilbert) discovers he was married to a rodeo star before he married Natalie’s mother. Upset that her father kept part of his life a secret from her and bewildered over how a prominent judge could fall for a cowgirl, she sets out to find Maggie Mae Jarrett. But Natalie meets her daughter Jessie Mae Jarrett (Lindsay Wagner) who is struggling to keep the wild horses on her land alive and safe.

After the “mysterious” death of a colleague, the doldrums of office life at DanRick Designs are given a surprise resuscitation when Miles Fuller and Dylan Kirkpatrick discover they are the lead candidates for a promotion. The timing of the advancement opportunity couldn’t be more ideal for the entry-level employees. The Tech Center where Miles’ voluntarily teaches inner city teens is low on funds, and Dylan is desperate to purchase the home his deceased father built by hand, before his mother is manipulated by his weasel stepdad to put it on the market. The pay increase from the promotion could resolve their dilemmas, except only one of them can win the job.

An Asian megalopolis, today. After a wild night, a group of young wealthy friends wake up from their drunken stupor with a freakish disco- very : each of them has grown a pair of fangs – vampire teeth. Bewildered at first, the group realizes they feel stronger and more attractive than ever before. As they strain to make sense of their new situation, they lose themselves in a twisted game of taking their new vampire skills to the streets. In this new kind of nightlife, with the limits of life, love and death greatly blurred, it dawns on the group that they can no longer trust each other. Nobody can be sure of what this vampire business is all about – or, for that matter, if any of this is even real.

When Rebbeca’ sister Diana returns home after being away for a while things seem odd. Diana’s desperately trying to hide secrets from her sister. Rebbeca takes the detective approach to work out what’s going on only to find Diana Is in serious trouble. Before Rebecca could get the truth from her sister, Diana commits suicide. Being convinced her death was more than just suicide, Rebecca searches deeper for answers in effect putting her life at risk.

After the tragic disappearance and presumed death of her tech mogul husband, Samantha Hastings decides to escape from her fancy hi-tech house in Silicon Valley and move to a rustic and cozy tiny house, completely isolated from the prying eyes of the public. As she begins to adapt to her new lifestyle, Samantha’s serenity is interrupted when she can’t shake the feeling that she is being watched… exactly what her husband felt before his disappearance. Strange and unexplained terrors begin to happen in the tiny house until eventually Samantha’s sanctuary becomes her prison with no way out.

This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz de la Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past — where he sees his parents before their deaths — to the present — where he witnesses his own autopsy — and then to the future, where he looks out for his sister from beyond the grave.

HONDROS follows the life and career of famous war photographer Chris Hondros by exploring the poignant and often surprising stories behind this award-winning photojournalist’s best-known photos. Driven by a commitment to bear witness to the wars of our time after the events of 9/11, Chris was among the first in a new generation of war photographers since Vietnam. HONDROS explores the complexities inherent in covering more than a decade of conflict, while trying to maintain a normal life. It also examines the unknowable calculus involved in making split-second life and death decisions — before, during and after his photos were made. Chris was killed in Libya in 2011, but he left a lasting impact on his profession that is still felt today.

A usual chain mail is forwarded to a group of people. Some pass it while others ignore. One dies and is followed by series of sudden and unexplainable deaths of others. Soon after, a revelation begins to unfold, the chain mail is cursed and so she has to find the origin and mystery behind to stop the misfortunes it may cause to anyone who fails to pass it before another life perish again. Sandra also suspects Anne is behind the tragic incidents that happened to their friends. Will she break the curse before it’s too late or will she become one of the victims?

A young officer returns to his base after a daring mission. The cook’s assistant, a religious Holocaust survivor, is envious of him. He believes that there is a place in heaven reserved for the brave officer who endangers his life for the sake of his Jewish brethren. The officer, in the spirit of the Zionist ethos, is secular and a non-believer. At the moment, he is so hungry that, for a plate of shaksuka, he is prepared to sign a contract transferring his secured place in heaven to the cook. Some forty years later, the present time of the movie, the tables have turned – the officer, now a retired general, is on his death bed in the hospital. His son who, to his father’s horror, has found religion, is in a race against time. Before his father dies, he has to find that cook’s assistant who, forty years earlier, bought his place in heaven. If and when he finds him, the son has to nullify the contract. If he doesn’t, his father will go to hell.

Forty-nine days after George’s death his wife, Alicia, calls friends who wanted to read over the letter that he left before he died. It is a very affectionate and moving letter, which addresses each of those present, knowing that his death is near. Little do they know that they are part of a ritual prepared by Alicia, with the connivance of Santiago, the closest friend of George, to bring him back to life – and that ritual, full of ghostly apparitions, traumatic and terrifying, will be gaining further life from each of the guests. The surprising twists in the plot will lead up to the most unexpected of endings.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people’s lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In “The Future Is Unwritten”, from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe’s life, Julien Temple’s film is a celebration of Joe Strummer – before, during and after the Clash.