After another year of lockdowns, Aziz takes the stage to skewer pandemic life, quarantines, vaccine cards, celebrity side-gigs, smartphones and more.

In a comedy special directed by Spike Jonze, Aziz Ansari shares deep personal insights and hilarious takes on wokeness, family and the social climate.

Ansari headlines the iconic Madison Square Garden and delivers his most hilarious and insightful stand-up yet. Filmed in front of a sold-out audience, Ansari’s latest special is an uproarious document of the comic in top form — covering topics ranging from the struggle of American immigrants to the food industry to relationships to gender inequality.

Standup comedian Aziz Ansari (“Parks and Recreation”) headlines his third standup special, where he shares his uniquely hilarious perspective on fears of adulthood, babies, marriage, and more. Ansari’s look at life on the cusp of 30 years old is smart, unfiltered, and hysterical.

Lilly, orphaned as a child, experiences her parents homeland of England, escaping civil war. She becomes the heart of a disenfranchised community in London, where she attempts to reunite people with their families. But her friend Amira discovers Lilly’s mission isn’t purely altruistic and a passionate lost love affair is revealed between Lilly and Aziz, an idealistic doctor.

In full-on investigative mode, reporters from The New York Times, The Wall Street Journal and Hollywood Reporter doggedly pursue the story of US $3.5 billion missing from a Malaysian wealth fund. They trace the dirty money, via real estate deals and movie financing, back to the top tiers of the Malaysian government. Incredibly (but oh, how fitting!), the audacious swindlers chose to back the 2014 blockbuster The Wolf of Wall Street. Hollywood A-listers, including Leonardo DiCaprio, attended lavish parties hosted to launch the film. The embezzlement was orchestrated by a flamboyant fancier, Jho Low, and Riza Aziz, the stepson of the then-Malaysian Prime Minister. As the truth finally comes to light, assets are frozen and the fall-out begins.

The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).

The charmed story of two teenage Amy (Salina Saibi) and Tasya (Nabila Huda) with no education and family background is perfect. Amy and Tasya choose to be stuck in the world of illegal racing by the influence of a boyfriend. Muz (Syamsul Yusof), Tasya’s boyfriend likes to talk big and Acai (Sheheizy Sam), Amy’s boyfriend challenged an unspoken rule. Amy’s father, a gambler, often disrupts the life of Amy. Azam (Aaron Aziz), is a pimp trying to persuade Amy back to the life.

Rob Delaney may not yet have the name recognition of comedians like Louis C. K., Aziz Ansari or Jim Gaffigan. But with the help of his large and loyal Internet following, he is hoping he can take a page from his accomplished industry colleagues, and start creating material for and selling it directly online.

While managing a run down abattoir, young Muslim Raghdan Aziz stumbles through cultural chaos and generational conflicts, dealing with enraged fathers, stoned buddies and an alleged ex-lover of his girlfriend.

Unannounced, Aziza is once again standing in her room – internship, Portugal, everything canceled. But her room is occupied. Her mother, Trixi, has rented it out. Zach lives there now, a twenty-something from New Zealand, who came to Germany on a one-way ticket. Starting from this situation, the film develops an almost documentary-style portrait of a Kreuzberg ‘situation’: everything is readily available, time, people, summer, streets. And in the end a crash, the film itself: ‘for nothing’?