It’s 1942, and Portugal languishes under dictatorship and WWII rages just beyond its borders. Secrets, half-truths, and mistrust prevail in the state security office of chief inspector Varga, who makes professional privilege a cover for his unprofessional interest in a boldly carnal refugee and her alleged brother. Director/writer Saboga (screenwriter for Raúl Ruiz’s MYSTERIES OF LISBON) saturates the dark world of this predatory tale with steamy eroticism and paranoia, starting with the incestuous desires of his bi-curious adolescent daughter and including the family maid.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

All over the world, the athletic community is reeling; the covid pandemic of 2020/2021 has brought changes and restrictions to the world community. Inspirational, compelling, and uplifting, this film follows the lives of the most determined athletes, as they experience a truly unique period of sporting and world history. As we spend time with an extraordinary cast of international athletes, we discover what you can be achieved, and how the most organized sporting minds react to unprecedented uncertainty.

When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. Their landlady, a one-time Floradora girl, offers to help Miriam become refined. Successful again, Geoffrey is approached (“if only we were free”) by Valentine. Miriam tells Valentine off in no uncertain terms. Geoffrey moves into his club where Valentine’s husband tells him he is a fool to leave Miriam

Before MTV and the age of television, there were Soundies. First appearing in 1941, these three minute black-and-white films featured artists of the Big Band, Jazz and Swing era, like Duke Ellington, Count Basie, Louis Jordan, Louis Armstrong, Gene Krupa, The Mills Brothers, Les Paul, Cab Calloway, and Fats Waller. The Soundies helped launch the careers of Doris Day, Nat King Cole, Liberace, and Dorothy Dandridge, among others. Viewed for a dime through a special machine called a Panoram, a movie jukebox, these forerunners to the music video could be seen in nightclubs, roadhouses, restaurants and other public venues across the U.S. These classic films remain as glorious time capsules of music, social history, popular culture, and tell the story of a crossroads in our country, when the uncertainties of war, race relations, and emerging technologies combined to write one of the most influential chapters in our nation¹s history.

Facing financial uncertainty and entering middle age, a married couple in their early thirties contemplate whether it’s the right time to have their first baby.

THE INTERNATIONALE draws on people’s stories of an emotionally charged radical song (the long-time anthem of socialism and communism) to celebrate the relationship between music and social change, and to evaluate the uncertain fate of once thriving movements of the left.

When Gus Bazooka built his gym he never imagined that his sons, Angus and Judah, would someday battle for control. However, after Gus’ untimely death (caused by watching a topless racquetball game) the future of the business becomes uncertain and the brothers make a wager to see who will take sole ownership of the gym.

From his village in northern Senegal, Yao is a 13-year-old boy ready to do anything to meet his hero: Seydou Tall, a famous French actor. Invited to Dakar to promote his new book, the latter goes to his country of origin for the first time. To fulfill his dream, the young Yao organizes his fugue and brave 387 kilometers alone to the capital. Touched by this child, the actor decides to flee his obligations and to accompany him home. But on the dusty and uncertain roads of Senegal, Seydou understands that while rolling towards the village of the child, it also rolls towards its roots.

As Cirque du Soleil reboots its flagship production, O, more than a year after an abrupt shutdown, performers and crew members face uncertainty as they work to return to their world-class standards in time for the (re)opening night in Las Vegas. With unfettered access, filmmaker Dawn Porter captures the dramatic journey of the world’s most famous circus act on its way back from the brink.

Genesis – The Last Domino? follows Tony Banks, Phil Collins and Mike Rutherford and their crew as they build and rehearse their Last Domino tour. Despite the complications and uncertainties of the global COVID pandemic, and without confirmed dates, the band made the decision to spend the time and money so they would be prepared once the world returned to normal. The film follows the creative and emotional processes involved and features band interviews and live performances from the spectacular yet-to-be-seen show.

For as long as they can remember, the Solé family has spent every summer picking the peaches in their orchard in Alcarràs, a small village in Catalonia. But this year’s crop may well be their last, as they face eviction. The new plans for the land, which include cutting down the peach trees and installing solar panels, cause a rift in this large, tight-knit family. For the first time, they face an uncertain future and risk losing more than their orchard.

Liam is set to wed a younger French girl in the Hamptons. His sister Audrey and her husband Ethan drive to attend the wedding, yet Audrey’s motives are likely to stop the wedding. Audrey and Clemence do not get along, a perfect gorgeous French woman reminds herself of how imperfect her own life is. Feelings of jealousy due to her own lost opportunities, uncertainty of herself and her 40 years of lifetime choices could explode and scorch her new sister-in-law.

The Struggle for Time and Space Begins Again…! The legendary Arceus. Long ago Arceus granted a fragment of its awesome power as the Jewel of Life to help Michina in the town’s hour of need only to be betrayed when it was time for that power to be returned. After so many years Arceus is about to return to reclaim its power – enraged vengeful and seemingly unstoppable. Not even the combined might of Dialga, Palkia and Giratina can stop Arceus from devastating all existence across multiple dimensions. But Ash and his companions joining forces with their new friend Sheena, may have discovered the only way to redeem that ancient betrayal. Their journey will be both dangerous and uncertain: even if Ash and his friends can set an old wrong right again will there be time to return the Jewel of Life before Arceus destroys everything and everyone they’ve ever known?

The director Daniel Sánchez Arévalo (‘Azuloscurocasinegro’, ‘Cousins​​’), he embarks on a new comedy that has as a backdrop the World Cup in South Africa and the setting is a wedding that takes precisely the day of the final. This will be the occasion in which five brothers, all with biblical names, Adam, Daniel, Caleb, Benjamin and Ephraim, gather to celebrate the engagement of Ephraim, the youngest of them, who marries his pregnant girlfriend. Will hours of uncertainty, joy and euphoria back, but it’s time to unite for a common good. Can all together to face the situation and erected winners heading?

Celebrated European actor Sophie Bernard is in Montreal shooting a movie, and she’s taking the opportunity to visit her son Thomas in the hope of bridging the rift that’s grown between them. But Thomas has his own agenda for their time together; he intends to finally get some answers as to the identity of his father. Meanwhile, at Ville-Marie Hospital, paramedic Pierre struggles with PTSD, and though he has support in Marie, a nurse who keeps the overflowing emergency room running, it’s uncertain whether he’ll remain able to cope with the high intensity of his work. Each of these four characters is dealing with emotional damage — and on one dark Montreal night, their lives will all intersect in a fateful occurrence at Ville-Marie.

Ride with the Devil follows four people who are fighting for truth and justice amidst the turmoil of the American Civil War. Director Ang Lee takes us to a no man’s land on the Missouri/Kansas border where a staunch loyalist, an immigrant’s son, a freed slave, and a young widow form an unlikely friendship as they learn how to survive in an uncertain time. In a place without rules and redefine the meaning of bravery and honor.

HyperNormalisation tells the extraordinary story of how we got to this strange time of great uncertainty and confusion – where those who are supposed to be in power are paralysed – and have no idea what to do. And, where events keep happening that seem inexplicable and out of control – from Donald Trump to Brexit, the War in Syria, the endless migrant crisis, and random bomb attacks. It explains not only why these chaotic events are happening – but also why we, and our politicians, cannot understand them.

Poland, 1990. The first euphoric year of freedom, but also of uncertainty for the future. Four apparently happy women of different ages decide it’s time to change their lives, and fulfill their desires.

Franz Maurer, a compromised cop, former officer of the criminal department of the Warsaw’s police, is released from prison where he was doing time for his brutality and murders. He is awaited by the New, his fellow-policeman. Franz tries to go straight starting hard work in a steel mill. Nevertheless, he must leave the factory as a criminal with an uncertain past when he doesn’t join the strike organized by the workers’ union. At the same time, a merciless war continues in former Yugoslavia. Wolf and William, two high rank officers, come to Poland in order to organize a network selling and smuggling arms to Yugoslavia by way of Albania.

For the members of the comedy troupe Asperger’s Are Us, it’s easier to associate with a faceless audience than with their own families. No matter who the crowd, best friends Noah, New Michael, Jack and Ethan have one simple mantra: “We would much rather the audience appreciate us as comedians than people who have overcome adversity.” In this coming-of-age heartfelt documentary, this band of brothers finds themselves at a crossroad. With real life pulling them apart, they decide to plan one ambitious farewell show before they all go their separate ways. People with Asperger’s don’t deal well with uncertainty, and this is the most uncertain time in their lives.