In 1970, hundreds of hippies followed Stephen Gaskin on a journey from San Francisco to Tennessee, where they founded a legendary commune known as the Farm. Within this self-sustaining society based on non-violence, vegetarianism and respect for the earth, members willingly took a vow of poverty, lived in converted buses, grew their own food and home-delivered babies. Born and raised in this alternative community, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. Finally ready to face the past after years of hiding their upbringing, they chart the rise and fall of America’s largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part, by its own success is reflected in the personal story of a family unit split apart by differences. American Commune finds inspiration in failure, humour in deprivation and, most surprisingly, that communal values are alive and well in the next generation.

On 22 acres of backcountry land in the American South lies The Garden – a community that lives by its own laws, free from the pressures of modern society. They maintain an open-door policy to anyone seeking to join their ranks, but new people must submit to an initiation period. Some barely last a week, others are forced to leave, and a chosen few will call The Garden home for good. Questions continue to arise about the cult-like vibes of the controversial community, but this spring is different. Cameras have been granted unprecedented access to The Garden, documenting its spread to new locations deep in the Ozarks. Founded as a cooperative, “leaderless” community, The Garden could be viewed as a post-apocalyptic wonderland free of societal rules.

In 1972, Miyuki tells her ex-lover Kazuo that she’s going to Okinawa with their son. Kazuo decides to film her. He narrates his visits to her there: first while her flatmate is Sugako, a woman Miyuki is attracted to; then, while she works at a bar and is with Paul, an African-American soldier. Once, Kazuo brings his girlfriend, Sachiko. We see Miyuki with her son, with other bar girls, and with Sachiko. Miyuki, pregnant, returns to Tokyo and delivers a mixed-race child on her own with Kazuo and Sachiko filming. She joins a women’s commune, talks about possibilities, enjoys motherhood, and is uninterested in a traditional family. Does the filmmaker have a point of view?

In Paris, a young American who works as a Michael Jackson lookalike meets Marilyn Monroe, who invites him to her commune in Scotland, where she lives with Charlie Chaplin and her daughter, Shirley Temple.