Maverick. Auteur. Rebel. Innovator. Storyteller. Rambler. Gambler. Mad man. Family man. Director. Artist. Robert Altman’s life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. “Altman”, Canadian director Ron Mann’s new documentary, explores and celebrates the epic fifty-year redemptive journey of one of the most important and influential filmmakers in the history of the medium. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Mann’s Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

Maria Altmann, an octogenarian Jewish refugee, takes on the Austrian government to recover a world famous painting of her aunt plundered by the Nazis during World War II, she believes rightfully belongs to her family. She did so not just to regain what was rightfully hers, but also to obtain some measure of justice for the death, destruction, and massive art theft perpetrated by the Nazis.

Trapped in their New York brownstone’s panic room, a hidden chamber built as a sanctuary in the event of break-ins, newly divorced Meg Altman and her young daughter Sarah play a deadly game of cat-and-mouse with three intruders – Burnham, Raoul and Junior – during a brutal home invasion. But the room itself is the focal point because what the intruders really want is inside it.

Multi-storied, fish-eyed look at American culture with some 22 characters intersecting–profoundly or fleetingly–through each other’s lives. Running the emotional gamut from disturbing to humorous, Altman’s portrait of the contemporary human condition is nevertheless fascinating. Based on nine stories and a prose poem by Raymond Carver.

Basket-case network news producer Jane Craig falls for new reporter Tom Grunnick, a pretty boy who represents the trend towards entertainment news she despises. Aaron Altman, a talented but plain correspondent, carries an unrequited torch for Jane. Sparks fly between the three as the network prepares for big changes, and both the news and Jane must decide between style and substance.

Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound (Vivaldi, Bach, Wagner), and is an interpretation of the particular aria.

Ed Altman is a psychiatrist who relocates to Palm Springs, Calif., in order to avoid a lawsuit. However, he happens to wander directly into more trouble when he begins an affair with the rich and beautiful Ally Mercer (Annabel Schofield), who has her own reasons for becoming involved with Ed. Soon Ally’s other lover, the volatile Nick, is caught in the intrigue, which results in murder, betrayal and numerous shady dealings.