On Chicago’s South and West sides, the scourge of guns and gangs is destroying countless lives. Taking matters into their own hands, two men dedicate their lives educating, empowering and healing young Black men at high risk for being victims—or perpetrators—of deadly gun-violence.

This first feature film from Indian playwright Anand Gandhi, tells three stories about persons forced to think about the ethics and moral issues raised by medical advances: a visually impaired Egyptian photographer, who after a cornea transplant has trouble adjusting to her newfound sense of sight; a devout Indian monk fighting against animal testing, who has to confront his beliefs when he is diagnosed with liver cirrhosis; and an Indian stockbroker, who after having a kidney transplant learns about the illegal trade in stolen organs and decides to help a poor victim of such theft – even though it means travelling all the way from India to Sweden.
The film was first shown at the 2012 Toronto International Film Festival, where it received great critical acclaim and was touted as “the hidden gem of the year”. It was released in India in July 2013, and was awarded Best Feature Film of 2013 at the Indian National Film Awards in 2014.

Baratometrajes 2.0 is a feature length documentary on low-budget films made ​​in Spain and dives deep and directly in the guts of most independent films, their characteristics and their reasons for being. More than forty interviews with directors, producers, journalists, cultural managers and distributors are shaping a broad mosaic of opinions and adventures of different creators to get their films and turn them into a reality, allowing the cameras to talk through their methodology work and the secrets that lie behind the making of these productions. Movies like “El mundo es nuestro,” “Mi Loco Erasmus” or “The Cosmonaut” are part of the object of study of this essential documentary that brings us to the reality of New Spanish Cinema Lowcost.

Hyakkaou Private Academy. An institution for the privileged with a very peculiar curriculum. You see, when you’re the sons and daughters of the wealthiest of the wealthy, it’s not athletic prowess or book smarts that keep you ahead. It’s reading your opponent, the art of the deal. What better way to hone those skills than with a rigorous curriculum of gambling? At Hyakkaou Private Academy, the winners live like kings, and the losers are put through the wringer. But when Yumeko Jabami enrolls, she’s gonna teach these kids what a high roller really looks like!

Soap is an American sitcom that originally ran on ABC from 1977 into 1981. The show was created as a night-time parody of daytime soap operas, presented as a weekly half-hour prime time comedy. Similar to a soap opera, the show’s story was presented in a serial format and included melodramatic plot elements such as alien abduction, demonic possession, murder, and kidnapping.

In 2007 it was listed as one of Time magazine’s “100 Best TV Shows of All-TIME,” and in 2010, the Tates and the Campbells ranked at number 17 in TV Guide’s list of “TV’s Top Families”.

The show was created, written, and executive produced by Susan Harris, and also executive produced by Paul Junger Witt and Tony Thomas. Each returning season was preceded by a 90-minute retrospective of the previous season. Two of these retrospectives were made available on VHS in 1994.

The show aired 85 episodes over the course of four seasons. The final four episodes of the series aired as one-hour episodes during the original run on ABC. These hour-long episodes were later split in two, yielding 93 half-hour episodes for syndication.

All episodes are currently available on region 1 DVD in four separate box sets. In the past, the series has rerun on local syndicated channels as well as on cable on Comedy Central and TV Land. It ran on over-the-air television on Antenna TV, until December 30th, 2012.

The global corporations have established cities and agricultural zones in areas where the climate is relatively good. These cities are populated by the elites, while the immigrant masses struggle with hunger and epidemics. For unknown reasons, the city’s agricultural plantations have been hit by a genetic crisis – and, as a result, by massive crop failure. Professor Erol Erin, a seed genetics specialist learns of Cemil Akman, a fellow scientist. Apparently, Cemil wrote a thesis about the recurrent crisis affecting genetically modified seeds – but the work was banned by the corporation..

Indie folk heroes Edward Sharpe & The Magnetic Zeros, Tennessee’s Old Crow Medicine Show, and Britain’s acclaimed Mumford & Sons, climbed aboard a beautiful vintage train in California, setting out for New Orleans, Louisiana on a “tour of dreams”. The resulting film from this journey is nothing short of magical. Part road movie and part concert film, BIG EASY EXPRESS bears witness to the birth of a new musical era. With poignancy and beauty, Malloy documents these incredible musicians as they ride the rails and wow the crowds, from Oakland… to New Orleans.

Given the country’s overcrowded prisons, the U.S. government begins to allow 12-hour periods of time in which all illegal activity is legal. During one of these free-for-alls, a family must protect themselves from a home invasion.

Six college students from different universities around the country are selected to participate in Econo Air’s annual, company program to compete for an internship. Each student has dire reasons why they need to land this position that comes long with pay and free tuition. For these reasons, and others- they cannot see the craziness that’s going on all around them in the company.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

These sexy sirens bring a whole new meaning to “Ladies of the Night” as they lure victim after victim to their VampSisters.com website. Utilizing the web to entice victims to their lair, they seductively work their beauty and their bodies to fulfill an unholy desire to feed on human blood! Once the kinky fun begins, the sisters bare their fangs and the feeding frenzy begins! After these sensual bloodsuckers are finished, they drag the bodies to a hideous creature they keep locked in their shed. As the Missing Persons pile up, two undercover vice squad detectives pose as a kinky couple to infiltrate the Vampire Sisters’ home. A chilling battle between the sisters and the undercover cops leads to a mind-blowing finally climax; Iggy — the creature in the shed — is finally released

In Drew Xanthopoulos’ intimate and cinematic documentary, we meet Joe, a patriarch whose affliction is so all-encompassing that he’s indifferent to his long-suffering wife; and twin brothers Sam and Nathan, musicians who are no longer able to breathe outside of their real-life sterile “plastic bubble,” and whose mother, Karen, developed her illness when she was only 17. These characters all suffer from debilitating sensitivities to their environment. Whether from ambient chemicals, genetics, electricity, or even psychogenic reasons, the cause is not clear, but the reality of the effects on these individuals is undeniable. Fortunately, Susie Molloy, a quiet firebrand who is chemically sensitive herself, seeks to help. In her, those afflicted by this modern malady have found an advocate whose mission is to de-stigmatize this community, and in telling their stories, Xanthopoulos has crafted a film itself as deeply sensitive as its title suggests. Cara Cusumano

Life is an adventure – especially for a newborn animal who has so much to learn. “Growing Up Wild” takes audiences to the wildest corners of the planet to tell the tales of five courageous animals as they tackle the very first challenges of their young lives. With a little guidance from sage family members, each must figure out how and where to find food, while learning to recognize the very real threat of danger. From their first steps of exploring their world to their final steps into independence, “Growing Up Wild” reveals the triumphs and setbacks of five young lives in which instinct, parental lessons, and trial & error ultimately define their destinies. Featuring the stunning imagery and iconic storytelling that makes Disneynature’s big-screen adventures an inspiring movie-going experience, “Growing Up Wild”, brings home a special look at how similar and different these young lives can be. – Written by (C) 2016 Disney Enterprises

It’s the year 2020. Every day billions of people are victims of the digital, medial, narcissistic, hedonistic, careeristic and consumerist overstimulation and suggestion by the establishment. In a manner that remains unexplained to this day, hundreds of millions of citizens of the first world abruptly and epidemically fall ill with Anhedonia, an inability to feel pleasure and satisfaction. Two exemplary victims of these unspeakable circumstances are the dissimilar, but nevertheless inseparable, aristocrats’ sons Franz and Fritz Freudenthal. Wholly bereft of meaning and tormented by their miserable, dull and joyless existence, they slowly waste away; until they become aware of the new and unique lust-stimulus therapy by the world-renowned and very trendy Prof. Dr. Immanuel Young, seeing in it the solution to all their problems.

When out-on-bail mob boss Bellavance discovers that $500,000 of his money is missing, he sends four hardcore hit men to send a “loud and messy” message to the suspected thieves’ families. But when the killers invade the Rutledge home, they’ll meet the household’s emotionally disturbed young son Owen. Owen has a history of violent behavior, knows how to make lethal booby-traps and is about to teach these thugs some deadly lessons in extreme vengeance.

After her husband’s death, Hana lives on alone in the family villa. Her two sons visit her with their families, but these visits frequently end in quarrels. When Hana meets Brona, a hardy fellow, inured to winter swimming, a new world opens before her. Brona’s team-mates absorb her into their team and Hana gradually learns to overcome her fear of icy water. Her relation with Brona grows into love.

Beyond the human realm, there is a magical race of beings who control the tides and the changing of the seasons. One of these beings, a young girl named Chun, seeks something more—she wants to experience the human world! At sixteen, she finally gets her chance and transforms into a dolphin in order to explore the world that has her fascinated. But she soon discovers that it’s a dangerous place and nearly gets killed in a vortex. Luckily, her life is spared when a young boy sacrifices himself to save her. Moved by his kindness and courage, she uses magic to bring him back to life only to learn that this power comes at a serious price. On a new adventure, she’ll have to make her own sacrifices in order to protect his soul until it is ready to return to the human world.

When the troubled son of an NGO worker refuses to take a test and announces that he is not leaving his room, his concerned mother asks one of her clients, a Cuban exile, for help in setting the boy straight. Gonzalo has decided to drop out of school, and his mother Ana isn’t sure how to convince the boy that he’s making a crucial mistake. Ana’s client Carlos is a Cuban exile who makes his living selling cigars and artwork on the black market. When Carlos learns of Ana’s dilemma, he calls on recently released convict Mikel to teach the boy how to play chess. Perhaps is young Gonzalo can master the game, he can learn to start living again. As the lessons get underway, each of these characters learns that in order to truly move on with their lives they much first break free of the bonds that prevent them from being who they really are.

As stated in the opening titles and at the end Freakstars 3000 is supposed to be a commentary on the problems of the non-disabled people. The more I was shocked about how the disabled were depicted in this film the more I started to realize that in every non-disabled TV counterpart of this show (German TV shows like “Popstars” or “Friedmann” or the home shopping channels) its mentally “non-handicapped” participants are treated in a completely identical way: The total prostitution of the mind in front a huge TV audience at the expense of one’s most important gifts one should hang on to: dignity. On the other hand one could completely understand people who are furious about “exploiting” these handicapped persons. But that’s what Schlingensief’s works are all about: shock people and don’t care about those who cannot or will not try to get the message (if there is one).

Jennie Garth of “90210” stars as Susan, an unemployed Los Angeles museum curator and widowed single mom temporarily living in a small California town with her three sensitive sons. Jake (Brad Rowe of “General Hospital”) is a single dad of two tomboys who owns a local winery. When Susan’s dog Rusty (voiced by Jay Mohr of “Ghost Whisperer”) falls for Jake’s poodle Cheri (voiced by Nikki Cox of “Las Vegas”), these canine matchmakers help their owners fall in love too. Now with a Christmas Day wedding to plan — and major complications threatening to unravel it all — can two mismatched broods find a way to make one happy family? Tom Arnold and Catherine Hicks (“Seventh Heaven”) co-star in this heartwarming holiday film from the producer/director of The Dog Who Saved Christmas Vacation and Your Love Never Fails.

How would you feel about carrying your home in your pocket or having clothes to live in? For most of us, “house” means stability, structure, and permanence. In an age of increasing population and technological gains, today’s mobile society has resulted in a demand, or perhaps a dream, for portable dwellings and dwellings in new settings and situations.
Microtopia explores how architects, artists and ordinary problem-solvers are pushing the limits to find answers to their dreams of portability, flexibility – and of creating independence from “the grid”. Modern nomads, homeless people, people in stress, people in need of privacy or seclusion. We hear about the personal reasons behind the dwellings, and to see how they actually work. On the sidewalk, on rooftops, in industrial landscapes and in nature we will see and feel how these abodes meet the dreams set up by their creators. Microtopia deals with a contemporary urgent ideas that are addressed, and solved, in a very surprising way.

Marty (Alfred Molina) is a down-and-out jazz musician with colorful dreams of making it big, but right now he’s living on the edge and making small money by giving music lessons to people who don’t seem to want them. His sometimes girlfriend, Sheila (Maggie O’Neill), is a barmaid at the Rose of Sharon, a local pub owned by the hot-tempered Frank (Seymour Cassel). One day Sheila takes an old rocking chair out of the pub’s storage and gives it to Marty; he then discovers that the chair is haunted by two ghosts, a middle-aged woman named Lilly (Marianne Faithfull) and a precocious little girl named Ruthie (Rachel Bella). Ruthie seems to be from the turn of the century, but Lilly is contemporary. These easygoing souls appear to Marty and enliven his life with non-threatening pranks, but things turn serious when Marty discovers Lilly was Frank’s wife, who killed her in a fit of rage. With the help of the mortal, the ghosts plan revenge.

Set in the fictional small town of Tree Hill, North Carolina, this teen-driven drama tells the story of two half brothers, who share a last name and nothing else. Brooding, blue-collar Lucas is a talented street-side basketball player, but his skills are appreciated only by his friends at the river court. Popular, affluent Nathan basks in the hero-worship of the town, as the star of his high school team. And both boys are the son of former college ball player, Dan Scott, whose long ago choice to abandon Lucas and his mother Karen, will haunt him long into his life with wife Deb, and their son Nathan.

Until now, Dan has managed to keep his two sons far from each other. But the past and present collide sharply when Tree Hill’s basketball coach recruits Lucas for his team, much to the chagrin of Nathan and Daddy Dan. And the siblings natural rivalry only intensifies when they set their sights on the same girl, Peyton Sawyer. The residue of the past lingers far into the future for the residents of Tree Hill, even as a new generation is rising. Tree Hill follows the lives and loves of these two brothers, their friends and their family as they navigate high school, marriage, and finally… adulthood.