Vivek is 17, and as every middle-class family in India would attest, it is high time he was enrolled in coaching classes for the notoriously competitive entrance exams of the Indian Institutes of Technology (IITs). Vivek’s father, who sees an IIT degree as a moral certificate, ships his only son off to a residential preparatory school in Kota, the Mecca for IIT coaching. Over two years, Vivek goes through the motions of Indian adolescence, but it is his parents who do the growing up.

An in-depth look at an incredible moment in film history when Steven Spielberg and George Lucas assembled an amazing creative team to collaborate on another cinematic benchmark featuring never-before-seen footage and interviews with Spielberg, Lucas, Harrison Ford, Kathleen Kennedy, Frank Marshall, James Mangold, and many others as well.

One Day at a Time is an American situation comedy that aired on the CBS network from December 16, 1975, until May 28, 1984. It starred Bonnie Franklin as Ann Romano, a divorced mother who moves to Indianapolis with her two teenage daughters Julie and Barbara Cooper with Dwayne Schneider as their building superintendent.

The show was created by Whitney Blake and Allan Manings, a husband-and-wife writing duo who were both actors in the 1950s and 1960s. The show was based on Whitney Blake’s own life as a single mother, raising her child, future actress Meredith Baxter. The show was developed by Norman Lear and was produced by T.A.T. Communications Company, Allwhit, Inc., and later Embassy Television.

Like many shows developed by Lear, One Day at a Time was more of a comedy-drama, using its half-hour to tackle serious issues in life and relationships, particularly those related to second wave feminism. The earlier seasons in particular featured several multi-part episodes, serious topics, and dramatic moments. As in other Lear shows of the era, the show was shot on videotape in front of a live audience, giving it a sense of immediacy, and close-ups were often employed during dramatic scenes. As the social climate changed in the 1980s, the show’s writing became less edgy, and as the girls became adults, the innovation of the original premise — a divorced mother raising teenage children — was lost. The show’s nine years give it the second-longest tenure of any Lear-developed sitcom under its original name, after The Jeffersons.

Natha a poor farmer from Peepli village in the heart of rural India is about to lose his plot of land due to an unpaid bank loan. A quick fix to the problem is the a government program that aids the families of indebted farmers who have committed suicide. As a means of survival Farmer Natha can choose to die. His brother is happy to push him towards this unique ‘honour’ but Natha is reluctant. Local elections are around the corner and what might have been another unnoticed event turns into a ’cause celebre’ with everyone wanting a piece of the action. Political bigwigs, high-ranking bureaucrats, local henchmen and the ever-zealous media descend upon sleepy Peepli to stake their claim. The question on everyone’s lips – “Will he or Won’t he?” As the mania escalates, nobody seems to care how Natha really feels.

In the tradition of “Ferris Bueller’s Day Off” comes this refreshing comedy about a rebellious prankster with a crafty mind and a heart of gold. Rascal. Joker. Dreamer. Genius… You’ve never met a college student quite like “Rancho.” From the moment he arrives at India’s most prestigious university, Rancho’s outlandish schemes turn the campus upside down—along with the lives of his two newfound best friends. Together, they make life miserable for “Virus,” the school’s uptight and heartless dean. But when Rancho catches the eye of the dean’s sexy daughter, Virus sets his sights on flunking out the “3 idiots” once and for all.

In the Ming Dynasty, there lives four orphans, Ying, Sao, Yuanlong and Niehu. Raised in Taoyuan Village, the four are as closed as brothers. Their exceptional martial arts skills allows them to reach the highest rank within the imperial guards. After the four successfully killed the Japanese troop leader, the Emperor orders Ying to escort the Golden Wheel of Time from Sindu (now India) back to the capital, which is said to have the power of time travel and foresee into the future. Now in 2013, Squire Tang, funded by a mysterious financer, digs up three ancient icemen from the outskirt of China; they are Ying, Sao and Niehu. As he is transferring the icemen to Hong Kong for further studies, the vehicle involves in a traffic accident which, unexpectedly, defrosts Ying…

“Chile On Hell” was filmed at the Teatro Caupolican in Santiago, Chile on May 10, 2013, and features Anthrax – Joey Belladonna/vocals, Scott Ian/guitar, Charlie Benante/drums, Frank Bello/bass and Jon Donais/lead guitar. The band performed an extended set that featured songs from Anthrax’s entire catalogue – all the fan-favorites including “I Am The Law,” “Indians,” “Madhouse,” “Caught In A Mosh,” “The Devil You Know,” and “I’m Alive.” “Santiago was the perfect place to film the show for this,” said Anthrax’s Charlie Benante. “When we’d played there in the past, we’d finish our set, play our encore and go back to the dressing room. But every time, the fans would continue to scream and cheer and clap. I mean, they went on and on, they wouldn’t stop. One time Scott and I walked out to the side of the stage just to watch what was going on in the audience, it was intense. Why wouldn’t we want to film a DVD in front of an audience like that?

Opposing his commanding officer’s decision to attack a group of innocent Indians and wipe them out, Lt. Frank Hewitt leaves his post and heads home to Texas. He knows that the attack will send all of the tribes on the warpath and he wants to forewarn everyone. He gets a chilly reception back home however. With most of the men away having enlisted in the Confederate army Frank, a Union officer, is seen by the local women as a traitor. He convinces them of the danger that lies ahead and trains them to repel the attack that will eventually come.