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David Bennett, a struggling OCD scientist with father issues, has a life-altering encounter with a UFO and winds up falling for Jordan Waters, a quirky and mysterious female artist who, unbeknownst to him, turns out to be an alien who’s being hunted by Ray Watts, a determined conspiracy theorist.
There is a strange event in the sky. Only a young woman, and some of her more alienated friends…notice. But they are voiceless, as it just gets stranger – even as below – on the ground, it gets more, what is ominously called, ‘normal’.
This documentary exposes the failure of family courts to keep children from being used as a weapon after separation. Courts decision ends up completely erasing one parent, causing severe emotional trauma to children. Psychologist refer to extreme cases as parental alienation, which is a form of Child Psychological Abuse. Essentially brainwashing and manipulating children by one parent to hate or despise the other parent. This results in severe psychological damage based on scientific findings, including depression, low self esteem, drug abuse, being alienated from own children and suicide. Family court reform is badly needed, as this is preventable pandemic affecting over 20 million children in the United States (Harman et al).
Alienated in politically-ambiguous Moscow, young woman deals with severe OCD, while her cousin in Berlin tries to build a romantic relationship ignoring her own condition. In a parallel New York City realm, a heartbroken boxer struggles with addiction, self worth and online anxiety, which connects all the heroes from a universal level.
A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud’s nephew Lon admires Hud’s cheating ways, though he soon becomes too aware of Hud’s reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He’s a cheat, but, he explains, “I always say the law was meant to be interpreted in a lenient manner.”
Alienated teen Pauline struggles with the pressures of fitting into high school, pleasing her mother and a burning desire to lose her virginity. With a grotesque curiosity for the darker side of life, Pauline is considered a social outcast by everyone around her. Enticed by flesh, she retreats into her own fantasies and hopes to become a great surgeon – that is, if she doesn’t go insane first.
A troubled teenager attempts to conquer the girl he’s in love with, who seems out of reach. He’s lured into criminal activities and becomes alienated from family and friends.
Sang-min comes to Finland to send her autistic son to a special camp. She feels so alienated in snow covered-white Helsinki. Ki-hong is an architect working in Finland on dispatched duty. His family is not so perfect either with a daughter having child depression and mentally unease wife. The two meet for the first time at the gathering point of this special camp. They get to have a short trip to the camp together in silence but start to feel comfortable and connected to each other. On their way back to Helsinki, with the road blocked from heavy snow, Sang-min and Ki-hong are isolated in a cabin by the forest and lake. Carried away by irresistible passion, they spend a night together. But the next day, they go separate ways without asking each other’s name…
Stephen Frears directs this biographical drama focusing on controversial British playwright Joe Orton, revealed in flashback after his murder by lover Kenneth Halliwell. Born in 1933 in Leicester, in the English Midlands, John ‘Joe’ Orton moves to London in 1951, to study at RADA, and enjoys an openly gay relationship with Halliwell in their famous Islington flat in the 1960s. However, when Orton achieves spectacular success with such plays as ‘What the Butler Saw’ and ‘Loot’, Halliwell begins to feel alienated and the pair’s future looks increasingly uncertain.
Orthodox tells the story of Benjamin, an Orthodox Jewish man who alienated himself from his community by becoming a boxer. When his life took a wrong turn he ended up in prison, losing his wife and children in the process. Now he is out and desperate to reintegrate, he finds that acceptance harder than he ever imagined. He turns back to his old boxing coach thinking there he has an ally, but a truth about the past emerges which leaves him even more isolated than he once thought. Benjamin must make a choice which will effect not just his own future but the life of a young Jewish boy whose life he can relate to. He is determined not to allow history to repeat itself.
Samantha’s band, the Zettabytes, is meeting with little success, so her friend Roscoe uses his knowledge of technology designed by his father to create a holographic lead singer, Loretta Modern. The band instantly becomes successful, but Samantha begins to feel alienated, Roscoe discovers feelings for Samantha, and Loretta struggles with individuality.
A portrait of the writer and poet Steven J. Bernstein (aka Jesse Bernstein), one of Seattle’s most celebrated and troubled voices. His angry, surprisingly fresh, lyrical writings are about sensitive souls, drifters and drug addicts, people alienated by a society that refuses to understand them. Bernstein was an integral part of the legendary Seattle rock scene of the late 80’s and early 90s, and in 1991 was dubbed the ‘Godfather of Grunge.’
Five years ago David’s life came undone when his young daughter fell victim to a brutal attack. The subsequent emotional fallout cost him his marriage and his job. Handicapped by guilt and anguish David abandoned his past and alienated himself. He took a second rate job as a security guard and plodded on – his wounds concealed but unhealed. All it would take is a scratch for them to open wide and consume him…. During a routine security inspection, David discovers a young Serbian girl stowed in the cab of a truck. Her sister and other girls have been murdered – all victims of a perfidious human trafficking racket. She pleads for his help. This is his chance at retribution. This time he will champion the young girl that places her trust in him. But David is taking on Goliath and he has his back against the wall and a gun at his head. Enlisting the help of a woman’s refuge counselor, David embarks on a do or die mission to save the girl.
Liberal activist lawyer Jedediah alienated daughter Maggie years ago when she discovered his many affairs. Now a conservative corporate lawyer, Maggie agrees to go up against her father in court. To gain promotion, she must defend an auto manufacturer against charges that their explosion-prone station wagons are unsafe. As her mother begs for peace, Maggie takes on her dad in a trial that turns increasingly personal and nasty.
A collection of intersecting short stories set in early 1980s Los Angeles, depicts a week in the lives of an assortment of socially alienated, mainly well-off characters who numb their sense of emptiness with casual sex, violence, and drugs.
Sang-woo survived a car explosion. He lost his memory but he was able to return to a normal life thanks to his wife Yoon-hee who takes care of him with devotion. However, Sang-woo starts to feel alienated from himself in the past and the ‘him’ his wife talks about. He starts getting suspicious. He also finds out his wife was having an affair and becomes obsessed with finding out about his past. A man starts to follow his steps and Sang-woo is even more confused. ‘What kind of a person was I in the memories lost?’ The shocking truth is revealed.
From their first encounter as teenagers in high school, Scott and Sid seem unlikely friends. Scott is a shambolic dreamer, intent on carving out his own path in life and holding up a metaphorical middle finger to anyone who tries to stop him. He is a quintessential troubled teen: on his fifth high school by the age of fifteen, alienated from his peers, crippled by recurring nightmares and disliked by his own foster parents. Sid, on the other hand, wants nothing more than to be liked. An unconfident, awkward recluse through circumstance, Sid’s impoverished and dysfunctional background leave him no time for friends and no money for hobbies.
A timid and reclusive 18-year-old high school student is alienated by her parents and ruthlessly rejected by her peers. Desperate and isolated, she confides in her own reflection — and in the mirror she finds her imagined evil twin, someone who supports her, encourages her and knows all her secret desires. When the “girls” trade places, repressed sexuality and a ferocious violence erupt with a dangerous sense of freedom.
Alienated and cold, The Mortician (Method Man) processes the corpses with steely disregard. He is lonely and isolated. He is introduced to his new employee, Noah, (EJ Bonilla) by the morgue boss (Edward Furlong). Noah is a volatile youth working as part of his parole.Noah brings the notorious gangster, Carver (Dash Mihok), and his crew to the mortuary door. The Mortician’s attention is pricked by the tattoo of Botticelli’s ‘Birth of Venus’ inked on the body of a murdered woman (Judy Marte), that arrives at the morgue, triggering a series of haunting dreams from his childhood. Discovering a scared child, Kane (Cruz Santiago), fleeing the morgue, he’s forced to act. They become reluctant allies, struggling for redemption as they run. Through his awkward heroism, the Mortician reconnects with his long forgotten past, and finds the answers he’s been searching for. He find redemption and peace.
Louise (Sophia Myles) is an alienated boarding school student in the midst of a hot and heavy affair with the husband of her headmistress, Veronica (Sophie Ward). Suspicion and passion hang in the air of the isolated campus until Matthew (George Asprey) suddenly disappears. Fearing the worst, Louise struggles to uncover what happened to her lover, but is foiled at every turn by Veronica, who begins to take a sadistic glee in the psychological torment she inflicts upon her. When a mysterious woman appears around the campus, Louise becomes convinced that she is being framed for the murder of Matthew, or even worse, being set up to be the next victim. Alone and friendless, Louise must keep herself alive long enough to uncover the truth of Mathew”s disappearance.
A big shot prosecutor Teodor Szacki divorces his wife and leaves Warsaw to “start a new life” in picturesque town in southeast Poland Sandomierz. After a short while he is called in to investigate a strange and mysterious murder case. Alienated in provincial reality he struggles to find a killer, when he stumbles upon more victims. While the investigation continues he realizes that all murders are connected to alleged historical Jewish ritual killings. Those murders prompt a wave of antiSemitic hysteria in the town. In his investigation Szacki must wrestle with the painful tangle of PolishJewish relations and real findings of his work that roots of some legends arefantasy, not a grain of truth…
An alienated and misanthropic teenager gains sudden and unwanted celebrity status after he’s taken hostage by terrorists where his indifference to their threats to kill him makes news headlines.
“Having broken away from my illusory self, I was desperately seeking a path and a meaning to life.” This phrase perfectly sums up Alejandro Jodorowsky’s biographical project: reconstituting the incredible adventure of his life. Alejandro Jodorowsky was born in 1929 in Tocopilla, a coastal town on edge of the Chilean desert, where this film was shot. It was there where he discovered the fundamentals of reality, as he underwent an unhappy and alienated childhood as part of an uprooted family.