From Crime to Primetime. For over five decades rapper, songwriter, and media personality Calvin Cordozar Broadus Jr. aka ‘Snoop Dogg’ would go onto global fame, with tens of millions of record sales and a career in movies and television.

Servais Mont, a freelance photographer who works taking compromising photos, gets fascinated by Nadine Chevalier, a tormented low-budget movie actress married to an eccentric film photo collector.

A heartwarming, quintessentially British adventure for all the family, PUDSEY THE DOG: THE MOVIE follows cheeky London stray dog, Pudsey, who is quite happy being a lone ranger, looking out for number one, until he meets siblings Molly (Izzy Meikle-Small), George (Spike White) and Tommy (Malachy Knights). After losing their father, their mother Gail (Jessica Hynes) is moving the family to the sleepy village of Chuffington and Pudsey tags along, to the dismay of their landlord, Mr. Thorne (John Sessions), and his cat Faustus. As Pudsey starts to settle in with the family and realize what he was missing when he was alone, he stumbles across Thorne’s evil plan and he determines to save them and the whole village.

Leo Bernardi is a successful and acclaimed Italian director. He’s approaching the end of his career but he cannot accept his slow decline. He has just finished shooting his last movie and he’s deeply sad. The movie is inspired by the novel about Casanova written by Arthur Schnitzler, a character so similar to the director, even more than he could imagine. Schnitzler’s Casanova is aged, glory days are over: he lost his charm and his attraction to women, he’s broke and no more eager to travel through Europe. After a long exile, he just wants to go back to Venice, his homeland. While traveling home Casanova meets a girl, Marcolina. She reawakens his desire, lost for years. So, he tries to seduce her but that leads him to a tragic understanding: he’s an old man now. It’s not by chance that Leo Bernardi decided to tell this story right now, in a pivotal moment of his life and career. The destiny of both Casanova and his director leads them to a final confrontation.

To the outside world Joanne is just a book-store owner, but the Conspiracy knows different. She’s dangerous. She’s a bellwether: a quiet leader who is well on her way to being her whole self. When they kidnap her to break her to make her conform, they discover that Joanne is something so much more than even she ever knew. Joanne is a feminist, one-room, one-character elevated genre thriller. It is a modern rite of passage story which most women have to go through to become a whole human being: How does one be oneself in the face of massive misogyny and hatred (both overt and institutionalized). It is also the world’s first one-person film (a movie with only one on-screen character) that features a woman.