Aisha, a young Nigerian woman seeking asylum in Ireland, is floundering in a maze of social services and bureaucracy. As her situation becomes increasingly dire, Aisha struggles to maintain hope and dignity against the looming threat of deportation.

Prem Prakash Tiwari (Ayushmann Khurrana) listening to Kumar Sanu is the film’s opening shot. Set in Haridwar, 1990s, the film captures the nascent feel of the town. Prem owns a cassette shop in the local market. His father is keen to get him hitched and the family goes to a local temple to meet Sandhya (Bhumi Pednekar). B.Ed, waiting for a teaching job, the most visible thing about her is her weight. Coming from a patriarchal cognitive set-up, she doesn’t fit the quintessential idea of beautiful. And still, the school drop out Prem must marry her because he is incapable of attaining a girl with ‘Juhi-Chawla-level-of-looks.’ In an elaborate community-wedding ceremony, Prem and Sandhya get married. Their wedding night is uncomfortable with neither treading towards establishing conjugal relations. Prem has in his own reasons and the girl is naturally shy. Next morning on a call, she announces it to a friend and the whole family finds out

Family memories and personal art movingly portray author and motivational speaker Aisha Chaudhary’s journey with an immune disorder and terminal illness.

Senegalese immigrant Aisha lands a job as a nanny for a wealthy Manhattan couple. As she prepares for the arrival of the son she left behind in Senegal, a violent presence begins to invade both her dreams and her reality, threatening to destroy the American Dream she is painstakingly piecing together.

Aisha Johnson, an astute and bright student, is one of the finalists for a coveted scholarship. One day after Aisha does the right thing, her life spirals out of control and her once-promising future is in jeopardy. Aisha learns to survive, navigate life at school and on the streets of Roxbury while keeping her eyes on the prize.

Daughter explores the way women are viewed in society by following three female characters on a Friday night out in St Kilda, who’s lives become entwined and affected by an act of violence this fateful night. The award winning short film and an awareness project was inspired by the tragic murder cases of Jill Meagher in Brunswick and St Kilda’s own Tracy Connelly, whose occupation as a sex worker was highlighted in the media, leading to her murder and personal story being sadly overshadowed. The main themes explored in the film are violence against women and victim blaming, shown through the eyes of three female leads, lead by Katherine Langford (13 Reasons Why) as Scarlett, Aisha Tara (Heartbreak High) as Jemma and Carolyn Rey as Alethea.

Faces is a multi-narrative feature film set across four storylines that follow a group of characters as their lives begin to unravel. Aisha is in a marriage that has become stale. When her wish to get pregnant finally becomes reality, she receives some very unexpected news. Louie and Gaspard are a gay couple who are happily in love but when Louie’s female financée suddenly shows up in the picture, all that they hold dear begins to fall apart. Adam and Luke are best friends, but an attack on Adam at a party threatens to create a schism between them. Sindiso runs a charity for women to which she has dedicated herself. When the centre begins to have financial troubles with the real risk of closing, Sindiso has to question her fundamental motivations.

A tale of double cross and revenge, centered upon the members of an elite U.S. Special Forces unit sent into the Bolivian jungle on a search and destroy mission. The team-Clay, Jensen, Roque, Pooch and Cougar -find themselves the target of a lethal betrayal instigated from inside by a powerful enemy known only as Max. Presumed dead, the group makes plans to even the score when they’re joined by the mysterious Aisha, a beautiful operative with her own agenda. Working together, they must remain deep undercover while tracking the heavily-guarded Max, a ruthless man bent on embroiling the world in a new high-tech global war.

Aishah (Diana Danielle) is a young woman living during the Japanese Occupation of Malaya, who, after being knocked unconscious while escaping from the clutches of the Japanese Army, wakes up in a quiet, sleepy village, seemingly untouched by the war. The villagers give her shelter and she begins a new life there. But soon it becomes clear that the village hides other secrets as well. Aishah is haunted by the presence of a young deformed girl whom no one else can see and she discovers that an unknown evil lurks in the surrounding woods nearby the village, an ancient creature that makes the villagers its prey, a demon known only as Azazil. The villagers keep an uneasy peace with the demon through offerings but the moment Aishah enters the village, the attacks inexplicably begin again.