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Adaptation.

Adaptation.

Adaptation.

IMDb: 7.7
2002
114min

A love-lorn script writer grows increasingly desperate in his quest to adapt the book ‘The Orchid Thief’.

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Havel Speaking, Can You Hear Me?

Havel Speaking, Can You Hear Me?

Havel Speaking, Can You Hear Me?

IMDb: 6.4
2023
86min

This time-lapse documentary follows the last years of former President Václav Havel’s life, creating a multi-layered portrait of a world-famous political icon and important playwright, but also an ordinary man plagued by health problems. Havel allows the filmmakers a glimpse behind the scenes of his life, revealing purely personal moments that present him in previously unrecognised contours. With a sense of humour, he reflects on his political legacy and universal human issues. The central motif is formed by the parallels between Havel’s life and the successful play Leaving, which Havel always wanted to direct as a film adaptation.

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Lifting the Veil: Behind the Scenes of Ehrengard

Lifting the Veil: Behind the Scenes of Ehrengard

Lifting the Veil: Behind the Scenes of Ehrengard

IMDb: 7.4
2023
41min

Queen Margrethe II of Denmark and director Bille August showcase their meticulous attention to the sets and costumes of the “Ehrengard” film adaptation.

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The Crucible

The Crucible

The Crucible

IMDb: 6.8
1996
124min

The movie is centered around the Salem Massachusetts witch trials of 1692. The movie is based on the play “The Crucible” by Arthur Miller. He also wrote the screen play adaptation.

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Oliver Twist

Oliver Twist

Oliver Twist

IMDb: 6.9
2005
130min

Oliver Twist the modern filmed version of Charles Dickens bestseller, a Roman Polanski adaptation. The classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

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Macbeth

Macbeth

Macbeth

IMDb: 3.5
2018
121min

Entirely shot on green screen, Shakespeare’s Macbeth has been reinvented by director Kit Monkman (The Knife That Killed Me) in an exciting new film adaptation. Starring Mark Rowley, (The Last Kingdom, Luther). Monkman’s unique adaptation successfully bridges the gap between theatre and film to create a wholly new type of imaginative space. This radical new adaptation puts the audience’s engagement with the story centre-stage, amplifying the theatrical context of the original and creating truly innovative and thrilling cinematic vistas, whilst maintaining the language and themes of Shakespeare’s original play. Using background matte painting and computer modelling to generate the world in which the action plays out, the green screen allows Monkman to create his vision of a multi-tiered globe in which the characters play out their various fates.

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