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Hailed as a masterpiece of 21st century dance, Akram Khan’s Giselle comes to cinemas for the first time with Artistic Director, Tamara Rojo, dancing the role of Giselle, one of a community of migrant workers cast out of their jobs in a condemned garment factory. The classic story of love, betrayal and redemption has been reimagined in this stunning new version, with sets and costumes by Academy-Award winning designer Tim Yip (Crouching Tiger Hidden Dragon), an ‘ominous, gothic’ (The Observer) adaptation of Adolphe Adam’s original score by composer Vincenzo Lamagna and performed by English National Ballet Philharmonic, dramaturgy from Ruth Little and lighting design from Tony Award-winner Mark Henderson. Filmed live at the Liverpool Empire in October 2017, Akram Khan’s Giselle is directed for the screen by Ross MacGibbon.
Masaki Tezuka‘s live-action adaptation of “Rescue Wings” deviates from the original by centering around a female rookie pilot played by 16-year-old actress (only 15 at the time of filming) Yuko Takayama. After her mother is saved, Haruka Kawashima joins an elite air rescue team and decides she wants to become the first female pilot of a UH-60J (Japanese version of the Black Hawk) rescue helicopter. She goes through harsh, rigorous training and must overcome her emotions for the serious job of saving lives. After several mistakes she’s bluntly told she’s not good enough to be a rescue pilot, but the conflict only makes her more determined. One day, an F-15J fighter plane goes missing from radar and Kawashima receives the distress call. On reserve fuel and the struggling against all odds, she must accomplish her mission at any cost.
A cinematic version of the Royal Winnipeg Ballet’s adaptation of Bram Stoker’s gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.
This film adaptation of Henry James’ Victorian ghost story changes the location to present day Wellington. Set in a theatre over the course of an evening, Julia finds herself as a last-minute replacement for another actress at the dress rehearsal of a stage play version of The Turn of the Screw, set in 1890. Arriving at the theatre late that night, Julia is immediately thrown on stage and into her role, playing to an empty auditorium. As she interacts with the other characters and the story becomes increasingly terrifying, Julia begins to believe that not only is the fictitious house haunted… but also the theatre itself!
Imagine making a feature length film with a budget equal to the cost of a small motorcycle. With a cast and crew of 32 (plus extras) this 86 minute film was shot in 14 days at 12 unique locations within south-east Texas. This is First Step Cinematics LLC’s abridged 86 minute version of Frankenstein’s Monster. The art-house special edition was screened exclusively at over 30 film festivals, science fiction and steampunk conventions across the U.S.A., Canada, and the UK. Frankenstein’s Monster Synopsis: Drama, 86 minutes. A steampunk film adaptation of Mary Shelley’s literary masterpiece. In his obsession over Prometheus’ flame, Victor Frankenstein abandons those he loves to create a living being. Leaving behind his abominable work, Victor hopes to escape judgment and return to a peaceful life. He soon discovers all secrets have their price.
“The Laramie Project” is set in and around Laramie, Wyoming, in the aftermath of the murder of 21-year-old Matthew Shepard. To create the stage version of “The Laramie Project,” the eight-member New York-based Tectonic Theatre Project traveled to Laramie, Wyoming, recording hours of interviews with the town’s citizens over a two-year period. The film adaptation dramatizes the troupe’s visit, using the actual words from the transcripts to create a portrait of a town forced to confront itself.