Starting in 1988, a fierce battle raged between the two neighbouring states of Armenia and Azerbaijan (until 1991 part of the Soviet Union) over Nagorno-Karabakh. In 1994, an armistice gave control of Karabakh and the Azeri territory in-between to Armenia. Director Vadan Hovhannisyan shows the footage he shot as an independent war reporter on the front 12 years ago. He runs across the battlefield with a shaky camera, under a fierce shower of bullets. Scrawny soldiers with sunken eyes spend their days smoking, waiting and taking cover in trenches. Fallen comrades are carried down forest paths. Then, Hovhannisyan revisits the soldiers now, bringing prints of stills and frontline footage on his laptop. Although they have put on some weight, many of them are “victims of the peace,” as Hovhannisyan calls it in his voice-over.

In 2003, on the eve of the Iraq war, acclaimed director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change through the arts. This is their story. From IRAN, where graffiti and rap have become tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, to PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.

Over time, the people residing on Swampland began to take on new forms, their modified DNA altering their physiology to better suit their new environment. Generations passed and their original forms were forgotten; these humans had evolved into a new race: the Frogmen.If history (and genetics for that matter) shows us anything, it is that there is always variety.The genetic “success” of the Frogmen was also mirrored by the “achievements” of another group of human descent: the Cockroaches, otherwise known as the T-zhu Alliance. The brutal T-Hy poured out into the galaxy seeking new territories, resources, and the data crystals left by the original human explorers. The T-Hy’s material driven hunger broke the peaceful lives of the Frogmen forcing them to take up arms in order to stop the T-Hy’s insatiable ambitions. So began the MALO war.