Long blue hours characterise summer nights in the sleepy Norwegian port town of Ålesund. Asta is a young journalist working for the local newspaper, where she is expected to report on local sports, historic preservation, and cruise ships. It is only when she stumbles across the strange story of a refugee’s forced deportation, that she finds new meaning in her work and life.

Canadian scientist Dr Geoff Burton takes up a position at a new institute in wintry Dresden, Germany. His contribution to their most important project – a human regeneration gene-has the potential to make something miraculous out of a personal tragedy that has haunted him for years. Errors of the Human Body is about one man’s quest for redemption from his own disturbing past, set within the mysterious world of genetic engineering.

Ay Mariposa tells a story of three characters in the Lower Rio Grande Valley of Texas whose lives are upended by plans to build a US-Mexico border wall. As the director of the National Butterfly Center, Marianna Trevino Wright has become a leader of wall resistance in the Valley, a position that has resulted in violent threats from pro-wall factions and an emotional odyssey as she tries to navigate the ever-shifting sands of border policy. Zulema Hernandez, a life-long migrant worker, immigrant and great grandmother, has been a dedicated advocate for all migrants, both wild and human-kind. Meanwhile the butterfly, la mariposa, fights its own daily battle for survival in a landscape where more than 95 percent of its habitat is long gone and much of what remains lies directly in the path of the wall. Ay Mariposa documents each characters’ fierce commitment to home, justice, wild beauty and the future of the US-Mexico borderlands.

Georg Baselitz: Making Art after Auschwitz and Dresden explores the artist’s brilliant career through his 2007 retrospective exhibition at London’s Royal Academy of Arts. Accompanied by curator Norman Rosenthal, who first exhibited paintings by Baselitz in the early 1970’s, the artist discusses painting, sculpture and the trajectory of his work. The exhibit emphasizes Baselitz ability to create imagery that deals unflinchingly with his position as a post-war artist. In responding to contemporary experience and exploring his own painterly instincts, Baselitz creates symbols which reflect deep-rooted human dilemmas and concerns.

Quinn Taylor and his friend Nick are on their way back from Mexico with a load of Spanish Fly to sell in the States. They stop at a gentlemen’s club called The Devil’s Den and decide to test out their product on the unsuspecting women there. Only, these women aren’t really human, and the two men find themselves in a very fatal position. Also tossed in are a female-assassin on the hunt for Quinn, a monster hunter!

Dariel, a dark soldier in the demon king’s army who cannot use magic, has risen to the position of assistant to the Four Generals with his talent and energy, and has been wielding his skill. However, as soon as the Four Generals are replaced, Dariel is fired from the army. Dariel is devastated, but when he arrives in a human village, he finds that his adventuring skills, which are supposed to be useless to demons, have blossomed! “I was… human?” Dariel decides to spend his second life in this village, and the requests start pouring in! Trouble! False charge! Duel! With his natural skills and the adjusting power that he developed in his old place, the former dark soldier solves them all!

Hull, England, 1970. In a run-down commune in a tough port city, a group of social misfits – mostly working class, mostly self-educated – adopted new identities and began making simple street theater under the name COUM Transmissions. Their playful performances gradually gave way to work that dealt openly with sex, pornography, and violence. COUM lived on the edges of society, surviving on meager resources, finding fellowship with others marginalized by the mainstream. At the core of the group were two artists, Genesis P-Orridge and Cosey Fanni Tutti. As their work evolved, Cosey embarked on a career modeling for pornographic magazines, which she claimed for herself as a conceptual artwork, using it to forge a specific position in relationship to 1970s feminism. In performances, Genesis pushed himself to extremes, testing the limits of the human body.

Genius artist Cesar Catilina seeks to leap the City of New Rome into a utopian, idealistic future, while his opposition, Mayor Franklyn Cicero, remains committed to a regressive status quo, perpetuating greed, special interests, and partisan warfare. Torn between them is socialite Julia Cicero, the mayor’s daughter, whose love for Cesar has divided her loyalties, forcing her to discover what she truly believes humanity deserves.

Lukas, 20, is a prisoner in his own body. As a pre-op transgendered person, he is constantly finding himself trapped in uncomfortable, compromising positions. His best friend, Ine introduces him to the gay scene in Cologne where he meets the confident and gorgeous, Fabio. The two develop a romantic relationship that tests the boundaries of love. ROMEOS forgoes stereotypes and conventions to offer an honest and humorous examination of the most basic of human conditions: friendship, sex, and love.

During the confusing and conspiratorial Joseon Dynasty King Gwang-hae orders his councilor, HEO Kyun, to find him a double in order to avoid the constant threat of assassination. HEO Kyun finds Ha-sun, a jester who looks remarkably like the king, and just as feared, Gwang-hae is poisoned. HEO Kyun proposes Ha-sun fill the role as the king until Gwang-hae recovers fully and grooms Ha-sun to look and act every bit the king. While assuming the role of the king at his first official appearance, Ha-sun begins to ponder the intricacies of the problems debated in his court. Being fundamentally more humanitarian than Gwang-hae, Ha-sun’s affection and appreciation of even the most minor servants slowly changes morale in the castle for the better. However, his chief opposition, PARK, notices the sudden shift in the king’s behavior and starts to ask questions.

Gabriel returns to try to destroy the human race he despises so much, with the help of a suicidal teen and the opposition of the angel Daniel.

In a futuristic world, the “Nanorace,” people whose genes contain nanomachines that grant them special abilities, are controlled and suffer prejudice from the “Purerace” of normal human beings. Beck, a legendary hunter with the power of “Red Ash,” aims to undergo the surgical procedure to become Purerace. Alongside the large yet timid mechanic Tyger, they use their parallel machine to fly to the old world, doing dangerous jobs. One day, they suddenly run into Call, a girl pursued by the duo of Safari and Stripe. Call, Beck, and Tyger together travel to the clockwork world. But Safari, Stripe, and their leader Deny, stubbornly pursue Call, and are finally in a position to make their attack on Beck and his friends.

Michael Shannon stars in the role of Herbert White, a character based on the poem of the same name by Frank Bidart. The story follows Herbert as he works in the lumber industry, supports his family, and stalks and murders women he picks up in town. While Herbert is not exactly sympathetic, viewers are allowed to enter the mind of a serial killer, and realize that most of the time he behaves like everyone else. Movies like “Henry: Portrait of a Serial Killer” have done this before, but to successfully position the audience inside the mind of a complex human monster in 14 short minutes is quite a feat.

Neurotypical is an unprecedented exploration of autism from the point of view of autistic people themselves. Four-year-old Violet, teenaged Nicholas and adult Paula occupy different positions on the autism spectrum, but they are all at pivotal moments in their lives. How they and the people around them work out their perceptual and behavioral differences becomes a remarkable reflection of the “neurotypical” world — the world of the non-autistic — revealing inventive adaptations on each side and an emerging critique of both what it means to be normal and what it means to be human.

Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.