An affair between the second in line to Britain’s throne (Franco) and the princess of the feuding Irish (Myles) spells doom for the young lovers.

The young knight Tristan is injured in a fight in Ireland and cared for by the beautiful Isolde. He falls in love with her, unaware that she is the daughter of the Irish king.

Isolde is a support caseworker trainee working in Toronto. She’s still adjusting to the protocols and challenges of her job when she’s assigned to Eric, a man charged with theft and awaiting a court hearing.

During a remake of the play Tristan and Isolde, actors Peter and Ana fall in love. While the characters live an idealized love, the interpreters are living a true story, which they try to spice it up with the intensity of the fiction.

Insurance investigator Abraham Holt travels to a tiny town in rural Minnesota to look into a particularly unusual insurance claim stemming from a horrific car accident. As Holt examines the scene of the wreck, it all seems a bit too perfect. And when he interviews Isold Mcbride and her shifty husband, Fred — the impoverished beneficiaries of the massive, recently initiated life-insurance policy — he begins to suspect that something is amiss.

Sarah and Isolde share an interest in the traditional music and dance of the Balkans, but it turns out that shared interests don’t always unite them. Their trip, initially a fun bonding experience, takes a southward turn when Sarah becomes interested in handsome fellow camper Steph. A seemingly innocent romantic overture touches off an abrupt shift in the dynamic between the two girlfriends, steering a previously ecstatic camp outing down a psychological rabbit hole.