In the fifties, young Alice leaves her natal Swiss mountains for the sunny and vibrant shores of Beirut. She falls madly in love with Joseph, a quirky astrophysicist intent on sending the first Lebanese national into space. Alice quickly fits in among his relatives, but after years of bliss, the civil war threatens their Garden of Eden.

Members of a family who quit the polluted, rubbish-strewn city of Beirut for an idyllic mountain home. However, their dreams of a utopian existence are shattered by the construction of a landfill on the boundary of their land.

June, 1982 – The First Lebanon War. A lone tank and a paratroopers platoon are dispatched to search a hostile town – a simple mission that turns into a nightmare. The four members of a tank crew find themselves in a violent situation that they cannot contain. Motivated by fear and the basic instinct of survival, they desperately try not to lose themselves in the chaos of war.

Lebanon, July 2006. War is raging between Hezbollah and Israel. During a 24h ceasefire, Marwan heads out in search of his father who refused to leave his Southern village. As the ceasefire is quickly broken, Marwan finds himself under the rain of bombs and takes shelter in a house with a group of elders. Suddenly, a group of Israeli soldiers enter the first floor. Trapped in the house and hostages of their own fears, the next three days will see the situation spiral out of control.

“1982” is a life-affirming coming-of-age tale set at an idyllic school in Lebanon’s mountains on the eve of a looming invasion. It unfolds over a single day and follows an 11-year-old boy’s relentless quest to profess his love to a girl in his class. As the invasion encroaches on Beirut, it upends the day, threatening the entire country and its cohesion. Within the microcosm of the school, the film draws a harrowing portrait of a society torn between its desire for love and peace and the ideological schisms unraveling its seams. In his debut feature, director Oualid Mouaness delivers an ode to innocence in which he revisits one of the most cataclysmic moments in Lebanon’s history through the lens of a child and his vibrant imagination. The film demonstrates the complexities of love and war, and the resilience of the human spirit.

The extraordinary story of General Qassem Suleimani with first-hand accounts of his secret deals and shifting alliances across Syria, Iraq and Lebanon.

Beirut, Lebanon 2017. As the country trembles a man decides to attempt to break the world record of depth in deep diving.

BEAUFORT tells the story of LIRAZ LIBERTI, the 22 year-old outpost commander, and his troops in the months before Israel pulled out of Lebanon. This is not a story of war, but of retreat. This is a story with no enemy, only an amorphous entity that drops bombs from the skies while terrified young soldiers must find a way to carry out their mission until their very last minutes on that mountaintop.

Set in Lebanon, What Is Buried Must Remain is a modern ghost story with ancient roots. When three young filmmakers set out to make a documentary about a French industrialist, accused of murdering his family, they are confronted by supernatural forces engaged in a war for the very soul of the land.

An intimate, and often humorous, portrait of three generations of exile in the refugee camp of Ein el-Helweh, in southern Lebanon. Based on a wealth of personal recordings, family archives, and historical footage, the film is a sensitive, and illuminating study of belonging, friendship, and family in the lives of those for whom dispossession is the norm, and yearning their daily lives.

Many people first became aware of the Shatila refugee camp in Lebanon after the shocking and horrific Sabra-Shatila massacre that took place there in 1982. Located in Beirut’s “belt of misery,” the camp is home to 15,000 Palestinians and Lebanese who share a common experience of displacement, unemployment and poverty. Fifty years after the exile of their grandparents from Palestine, the children of Shatila attempt to come to terms with the reality of being refugees in a camp that has survived massacre, siege and starvation. Director Mai Masri focuses on two Palestinian children in the camp: Farah, age 11 and Issa, age 12. When these children are given video cameras, the story of the camp evolves from their personal narratives as they articulate the feelings and hopes of their generation.

Beirut, 1982: a young Palestinian refugee and an Israeli fighter pilot form a tentative bond in their attempt to make their way across war-torn Lebanon back to their home.

After fleeing war-torn Lebanon after the family’s chocolate factory is bombed, Tareq Hadhad and his Syrian family immigrate to the small town of Antigonish in Canada. Tareq’s father Issam starts making chocolates again that are a hit at the local church, neighborly Frankrounds up local investors for a new factory, while local chocolatier Kelly feels threatened by the rivalry. While Issam’s “Peace By Chocolate” business continues to grow, Tareq is torn between his dream of becoming a doctor and his obligation to the family business.

As modern science strives to catch-up with the technological marvels of the ancient world, the evidence and research becomes ever more stupefying. Our notions of human evolution and civilization timelines are being turned upside down like never before. From the massive blocks in Lebanon, to the Dogu, small humanoid figures found in Japan resembling Aliens, to the astonishing stonework at Puma Punku and much more, explore the artifacts that continue confounding scientists and archaeologists alike

Before leaving to settle abroad, Ahmad accepts one last job. He must audition actors for the new National Palestinian Theatre. On the road with interviewer Bissan and her cameraman Loumir, Ahmad goes in search of talent in the numerous refugee camps of Jordan, Syria and Lebanon. Hopefully for the last time, Ahmad experiences the insurmountable difficulties of life in Palestine: harassing searches at check points and borders, barricades, constant tension. He realizes the destiny of all waiting refugees is much the same as his own. He ends up guiding the auditioning actors into dramatizing what best embodies their destiny. But with the chance to catch his plane at risk, Ahmad could see the opportunity for his long-awaited exile slip away.

Much awarded animated documentary, in which director and Israeli army veteran Ari Folman interviews friends and former soldiers about their memories of the 1982 Lebanon war and especially the Sabra and Shatila massacre in Beirut. The usage on animation enabled Folman to illustrate their personal memories and dreams.

Thinking they’re doing the right thing by taking matters into their own hands, two brothers cross the line when they take a household rifle without their father’s consent. Set in contemporary middle class rural Lebanon, a country with a porous border constantly threatened by hostile infiltration, this coming-of-age story examines fraternal trust and brings into focus the ethics of seemingly innocuous violence and its consequences.

In 2003, on the eve of the Iraq war, acclaimed director Iara Lee embarked on a journey to better understand a world increasingly embroiled in conflict and, as she saw it, heading for self-destruction. After several years, traveling over five continents, Iara encountered growing numbers of people who committed their lives to promoting change through the arts. This is their story. From IRAN, where graffiti and rap have become tools in fighting government repression, to BURMA, where monks acting in the tradition of Gandhi take on a dictatorship, to PALESTINIAN refugee camps in LEBANON, where photography, music, and film have given a voice to those rarely heard, CULTURES OF RESISTANCE explores how art and creativity can be ammunition in the battle for peace and justice.

Doron, a security operative, who takes on one last mission: to capture, number 3 in the terrorist organization of Hezbollah, in Lebanon. With an elite force, Doron enters Lebanon to complete his last mission. Very soon he discovers that reality is not so simple, and that a new and unknown enemy is to be dealt with – and Hezbollah are the last thing on his mind. Doron has to deal with a ticking clock in the form of extensive I.D.F attack and a bloodthirsty enemy, Now that their enemy has changed its face, it’s up to him and his unit to wage a new war, a different war, to find an antidote, get back across the border, before the middle east conflict is changed forever.

An American journalist is set up and fed false information after the Lebanon war.