The show features some great light and sound effects apart from the great music that Eagles is renowned for. The ‘five-part’ harmony song, “Hole in the World” elicits a great crowd participation with the audience providing a ‘clap rhythm’ as the band sings. The song “Life’s Been Good” features some antics by Joe Walsh and Frey with them staging a mock rivalry on stage and the latter having a hearty laugh at the former. The song also features a ‘helmet cam’ session where the crowd gets to see what the camera on Walsh’s helmet points at. Also, the songs “The Boys of Summer” and “Hotel California” feature the first officially documented use by the Eagles of a drum machine in a live performance; in particular, during “Hotel California”, a pre-programmed track is used to simulate the muted guitar strums which provide a steady beat on the original studio recording of the song, and which are absent from all of the previous live performances of it.
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In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.
Harriet finds art imitating life when she discovers certain songs can transport her back in time – literally. While she relives the past through romantic memories of her former boyfriend, her time travelling collides with a burgeoning new love interest in the present. As she takes her journey through the hypnotic connection between music and memory, she wonders – even if she could change the past, should she?
A visit to the photographer’s returns the physical looks of a 70-year-old grandmother back to her 20s. Things get even stranger when his grandson asks her to join his band, and his best friend begins to fall for her.
A young woman becomes obsessed with a small-time North Carolina rock singer.
Estranged from her family, Franny returns home when an accident leaves her brother comatose. Retracing his life as an aspiring musician, she tracks down his favorite musician, James Forester. Against the backdrop of Brooklyn’s music scene, Franny and James develop an unexpected relationship and face the realities of their lives.
Best friends Galleria, Chanel, Dorinda, and Aqua, A.K.A. the girl band “The Cheetahs,” get the opportunity of a lifetime when they strut their way to Barcelona, Spain, to perform in an international music festival. Along the way, the “amigas Cheetahs” learn that, although their paths are not the same, they are lucky to have one another for the journey.
Cloud Nine, the local teen hangout, has been taken over by a pair of escaped killers, who hold the local teens hostage. The bartender realizes it’s up to him to save the kids.
Karchy (Brad Renfro) is a boy in school who has moved from Hungary to America in the 1960’s. He is struggling in school and trying to adjust to America’s culture. He then hears about a radio DJ Billy Magic (Kevin Bacon) who holds a contest for a Student Hall of Fame every week. When Karchy finally wins after several weeks, he spends more time with Billy Magic…a man with money, girls, and glam. Karchy thinks that by spending time with Magic, he can become “cool”. He then starts telling lies, to make himself seem greater than he really is. But when his lies begin hurting the people he cares about, he realizes that it isn’t worth telling lies if it affects your friends. Afterwards, he learns to accept himself for the person he is, and gives up lying. And as for Billy Magic, it turns out that he pays his price for all the lies that he has told as well.
The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
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An exploration of technologically developing nations and the effect the transition to Western-style modernization has had on them.
