Sometimes, it takes a strange night to put everything else into focus. And that’s exactly what happens to Harold and his roommate, Kumar, when they set out to get the best stoner fix money can buy: White Castle hamburgers. Both guys are at a crossroads, about to make major decisions that will affect the course of their lives. Yet they arrive at wisdom by accident as they drive around New Jersey in search of fast food.

A man and woman meet by chance at a romantic inn over dinner. Although both are married to others, they find themselves in the same bed the next morning questioning how this could have happened. They agree to meet on the same weekend each year. Originally a stage play, the two are seen changing, years apart, always in the same room in different scenes. Each of them always appears on schedule, but as time goes on each has some personal crisis that the other helps them through, often without both of them understanding what is going on.

A typical Midwestern 18 year-old freshman at a large state university eager to delve into the college party life, instead discovers that school is not the beer-driven, sexual fantasy of his imagination. Determined to do anything to obtain the girl of his dreams (a gorgeous but reluctant sorority girl), he decides to adopt a gay identity in order to insinuate himself in her life. This casual charade, however, quickly lands him in a morass of campus activism, gender warfare, fraternity hazes, sorority torture, “coming out” narratives, political martyrdom, and ultimately, a university-wide meltdown.

The journey of Midlands teenager Johanna Morrigan, who reinvents herself as Dolly Wilde: fast-talking, lady sex-adventurer, moves to London, and gets a job as music critic in the hope of saving her poverty stricken family in Wolverhampton. Based on Caitlin Moran’s bestselling semi-autobiographical novel.

In the city of Orario, beneath an impossibly tall tower, lies the dungeon. Only adventurers who form partnerships with the gods themselves have any hope of defeating the monsters that lie within. But the dungeon is not the only place where monsters exist. Far from Orario, in the ruins of an ancient city, a new threat arises. To counter this threat, the goddess Artemis has come to Orario in search of a champion-but it’s not Ais Wallenstein (the legendary Sword Princess) nor Ottar (the strongest warrior to ever enter the dungeon) that she chooses. Rather it is Bell Cranel, a newbie adventurer partnered with a low-tier goddess.

When the spoiled son and newest wife of a billionaire patriarch plot to murder him, they form a psycho-sexual bond with their brutally handsome hitman as they kill and kill (and kill) in their quest for wealth and recognition.

A woman who has a funny bone for a backbone, Funny Cow charts the rise of a female stand-up comic who delivers tragedy and comedy in equal measure in the sometimes violent and always macho clubs of Northern England in the ’70s.

As an idle, good-natured bachelor, Uncle Buck is the last person you would think of to watch the kids. However, during a family crisis, he is suddenly left in charge of his nephew and nieces. Unaccustomed to suburban life, fun-loving Uncle Buck soon charms his younger relatives Miles and Maizy with his hefty cooking and his new way of doing the laundry. His carefree style does not impress everyone though – especially his rebellious teenage niece, Tia, and his impatient girlfriend, Chanice. With a little bit of luck and a lot of love, Uncle Buck manages to surprise everyone in this heartwarming family comedy.

A bunch of high school misfits in Hawaii, introduced by their new teacher, attend a science fair in which they draw up inspiration to build their own solar car and win a trip to compete in the 1990 World Solar Challenge in Australia.

Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”

Comedian Pete Holmes delivers a feel-good stand-up set on his awkward post-prostate exam hug, a devilish Midwest meeting and his mom’s voicemail glitches.

Aaron Davis (Steve Sandvoss) and Christian Markelli (Wes Ramsey) are the two most opposite people in the world. Aaron is a young Elder (or a Mormon missionary) who wants to do his family proud and is quite passionate about his religion and film. Christian is a shallow WeHo waiter/party boy who only looks forward to bedding a new guy every night.