Flight 7500 departs Los Angeles International Airport bound for Tokyo. As the overnight flight makes its way over the Pacific Ocean during its ten-hour course, the passengers encounter what appears to be a supernatural force in the cabin.

An injured dog finds it’s way into the hearts of a family after escaping an underground dog-fighting ring.

We meet ornithologist Anna in 1994 just as genocide is raging in Rwanda, perpetrated by the majority Hutus against the Tutsis. Anna manages to save the daughter of a colleague whose family has been murdered, and she takes her to Poland. But the woman returns to Rwanda to visit the graves of her loved ones. The director originally worked on the movie with her husband Krzysztof Krauze (My Nikifor – Crystal Globe, KVIFF 2005), but after his death in 2014 she eventually finished this challenging picture alone.

Paramilitary operative David Wolfe stumbles upon an international conspiracy connecting presidential cabinet members to a Middle Eastern terrorist plot. Wanting to expose the truth, Wolfe defies orders and returns to the US as an army of one fighting for American security and integrity

Alice and Louis are brother and sister. She is an actress; he was a teacher and poet. For more than 20 years, Alice has hated her brother. In all this time they haven’t seen one another. The death of their parents brings the siblings face to face.

An Interpol-issued Red Notice is a global alert to hunt and capture the world’s most wanted. But when a daring heist brings together the FBI’s top profiler and two rival criminals, there’s no telling what will happen.

Recuperating from trauma, Jennifer remains in danger as she returns to a life she doesn’t remember.

A young, broke couple kidnap a sleazy politician who decides he can spin the story to his own advantage.

A couple fights for their lives when their new car unexpectedly breaks down on a deserted Detroit street.

A small town widow (Camille Keaton) faces a grisly confrontation with her would-be extortionists.

Albany, New York, Halloween, 1938. Francis Phelan and Helen Archer are bums, back in their birth city. She was a singer on the radio, he a major league pitcher. Death surrounds them: she’s sick, a pal has cancer, he digs graves at the cemetery and visits the grave of his infant son whom he dropped; visions of his past haunt him, including ghosts of two men he killed. That night, out drinking, Helen tries to sing at a bar. Next day, Fran visits his wife and children and meets a grandson. He could stay, but decides it’s not for him. Helen gets their things out of storage and finds a hotel. Amidst their mistakes and dereliction, the film explores their code of fairness and loyalty.

Julia is a mother, or rather, one of many mothers, sisters, daughters, colleagues, who have had their lives torn apart by the widespread violence in a country waging a war against its women. Julia is searching for Ger, her daughter. And in her search, she will weave through the stories and struggles of the different women she will meet.