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Filmed at the Hawaii Theater in Honolulu, Hawaii, Anjelah Johnson’s fourth stand-up comedy special dishes on awkward massages, home invasions, spiders and being a full-grown child

This Internet is under attack. Communications, culture, free speech, innovation, and democracy are all up for grabs. Will the Internet be dominated by a few powerful interests? Or will citizens rise up to protect it?

Imagine this: you go dancing at a parade, there you will be filmed and suddenly this movie appears on the net. An artist makes art out of these images. From that moment on, your face buzzes out into the digital world. This case actually exists. The dancer is called Technoviking. He has become a famous figure on the Internet. However, it also raises a lot of questions: What are the boundaries between personality rights and the freedom of art? Can such a phenomenon be curbed at all by legal means? A feature length documentary on the popular Technoviking-Meme, one of the early big video memes on YouTube that ended up in court.

Lisa, a young journalist, attends an art gallery in the hopes of scoring an interview with the original painter, Sydney M. Cobb.

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Hiding behind the shiny Instagram façade of Brandy Melville, the go-to clothing brand for young women, is a shockingly toxic culture that lies within the global fast fashion industry.

This documentary delves into Joran van der Sloot’s lifelong pattern of violence and pathological lying through rare interviews and new insights years after he brutally murdered American Natalee Holloway and Peruvian Stephany Flores.

Russian president Vladimir Putin attacks the 2016 American Presidential Election in collaboration with The Trump Campaign.

When NATO troops withdrew from Afghanistan, the Afghan National Army (ANA) took over control of Helmand Province, an extremely dangerous region where attacks by Taliban fighters are the order of the day. Security, much less peace, would seem to be unattainable; it is even difficult to find a common language in a country where everyone mistrusts each other. The directors of this film accompanied an ANA company during a year of frontline duty in Helmand. The soldiers are paid irregularly, there are not enough supplies and their equipment is substandard. They cannot fight a war with the equipment left behind by the ISAF.

A good mother would never hurt her children, at least not intentionally.