A boy deals with the loss of his mother by creating a relationship with a dangerous monster.
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This is the Night of the Tentacles! In this obscene Faustian tale a young artists sells his soul to Satan for the new heart he so desperately needs…
A former Marine and his old war buddy face off against the Mexican cartel behind the disappearance of his daughter.
A desperate photographer who suffers from a degenerative eye disease and a husband who wants to kill his dying wife, plot to recover her life insurance.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
J is on his shift one more night, accompanied by The Boss, when a serial killer and the victim he has clumsily let escape arrive at his deserted scrapyard.
Every neighborhood has a Karen, and Amityville is no exception. When stealing a cursed bottle of wine from a struggling local brewery, Karen soon finds that the price to pay is far more dangerous than your average hangover. Everyone in her path becomes prey, and not even a manager can be called in to stop her.
The Laughing Man references Scott Snyder’s “Death of the Family” Batman comic and takes place in a psychiatric facility where a new, unidentified arrival is being questioned. Viewers are taken on a tense excursion into brutal, bloody territory as the dialogue unfurls into a high-stakes role reversal.
A woman is trapped inside her apartment by an ancient demon as a policeman is in a race against time to save her.
Andy and Thelma, an urbanite couple living in Madrid, leave their apartment for a pleasant day around the city with their dog. They cross paths with Bruno and Anne, a strange couple who invite them to their foreboding country estate. A storm hits that evening and the two stay overnight. The couples engage in a bit of harmless communication with spirits via ouija board, but soon past conflicts arise Thelma had an affair with Andy’s brother, and Anne criticizes Bruno over his attempted suicide. This is only the beginning of all the horrors that will haunt them in the house.
A gunman forces a paramedic to drive an ambulance, while his partner treats the man’s injured brother.
A giant asteroid is heading toward Earth so some astronauts disembark from a nearby space station to blow it up. The mission is successful, and they return to the station unknowingly bringing back a gooey green substance that mutates into one-eyed tentacled monsters that feed off electricity. Soon the station is crawling with them, and people are being zapped left and right!
