A revenge mission becomes a fight to save the world from an ancient threat when superpowered assassin Kai tracks a killer to Bangkok.
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John Constantine has literally been to Hell and back. When he teams up with a policewoman to solve the mysterious suicide of her twin sister, their investigation takes them through the world of demons and angels that exists beneath the landscape of contemporary Los Angeles.
Sexually abused as a young girl, Kate “Ma” Barker (Shelley Winters) grows into a violently powerful woman by the 1930s. She lovingly dominates her grown sons, and grooms them into a pack of tough crooks. The boys include the cruel Herman (Don Stroud), who still shares a bed with Ma; Fred (Robert Walden), an ex-con who fell in love with a fellow prisoner; and Lloyd (Robert De Niro), who gets high on whatever’s handy. Together they form a deadly, bizarre family of Depression-era bandits.
Edina and Patsy are still oozing glitz and glamor, living the high life they are accustomed to; shopping, drinking and clubbing their way around London’s trendiest hot-spots. Blamed for a major incident at an uber fashionable launch party, they become entangled in a media storm and are relentlessly pursued by the paparazzi. Fleeing penniless to the glamorous playground of the super-rich, the French Riviera, they hatch a plan to make their escape permanent and live the high life forever more!
Bob Revere is a small town Mayor and combat decorated veteran. He faces a root of bitterness from his past filled with heartbreaking loss. His grandson comes back into his life after many years to ask the most important question, “What are we doing with our life to make a difference?” Bob had grown apathetic along with an entire town. Now with the help of children, a group of people all band together to inspire hope, take back the freedoms that are being lost and take a stand for truth. The cast includes Marshall Teague (Roadhouse), Jennifer O’Neill (Summer of ‘42), Fred Williamson (Black Ceasar) and Jenna Boyd (Sisterhood of the Traveling Pants).
An unlikely romance in which the reclusive Everett Lewis hires a fragile yet determined woman named Maudie to be his housekeeper. Maudie, bright-eyed but hunched with crippled hands, yearns to be independent, to live away from her protective family and she also yearns, passionately, to create art. Unexpectedly, Everett finds himself falling in love. Based on a true story,
Loosely inspired by the director’s own memory of a girl’s disappearance from her village, the film follows Arlene (Antonia Campbell-Hughes), a young factory worker living alone in a rural Irish community.
This twisted Iranian narrative follows a mysterious couple from Tehran as they distribute large bags of money in an impoverished mountain border town. Beginning as a black comedy, the film’s mood transforms as the games played by Kaveh (director Mani Haghighi) and Leyla (Taraneh Alidoosti) become increasingly perverse, as they find inventive ways of humiliating the recipients of the cash. The immorality of the central characters is at times sickening, and their chain of lies is often as puzzling to us as they are to the townsfolk depicted onscreen. What is the relationship between the pair and why are they giving away money to the needy? Modest Reception has no easy answers nor pat resolutions – instead Haghighi takes the viewer on an intriguing ride into the dark recesses of the human spirit.
Hyperactive teenager Kelly is enrolled into a military school when her new stepfather becomes the Commandant. At first she has problems fitting in and taking orders until she tries out for the drill team.
A trio of young sisters are attacked by local thugs. Then a force inhabiting the orchard exacts its revenge.
Tell Gordon Hello was spawned off of Morgan Rodner’s love of two things: film and comics. During a writer’s block that all artists come across at some point in their lifetime, Rodner met Paul Louis Harrell while directing another short film. Rodner soon discovered that Harrell had a pastime of playing the Joker on Hollywood Blvd for tips which was the catalyst that put the wheels into motion for Tell Gordon Hello. – Written by Morgan Rodner