Hanging out with friends, smoking a lot, spinning bottles and kissing, making mistakes, playing, refusing to accept, dreaming with open eyes – life as a teenager can be overwhelmingly beautiful and difficult at the same time. In her debut, the Ukrainian director composes a deeply emotional and multi-layered portrait of a generation whilst seamlessly flowing between the fictional and the documental.
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It’s South Africa 1990. Two major events are about to happen: The release of Nelson Mandela and, more importantly, it’s Spud Milton’s first year at an elite boys only private boarding school. John Milton is a boy from an ordinary background who wins a scholarship to a private school in Kwazulu-Natal, South Africa. Surrounded by boys with nicknames like Gecko, Rambo, Rain Man and Mad Dog, Spud has his hands full trying to adapt to his new home. Along the way Spud takes his first tentative steps along the path to manhood. (The path it seems could be a rather long road). Spud is an only child. He is cursed with parents from well beyond the lunatic fringe and a senile granny. His dad is a fervent anti-communist who is paranoid that the family domestic worker is running a shebeen from her room at the back of the family home. His mom is a free spirit and a teenager’s worst nightmare, whether it’s shopping for Spud’s underwear in the local supermarket
As a war rages on in the province of Bougainville in Papua New Guinea, a young girl becomes transfixed by the Charles Dickens novel Great Expectations, which is being read at school by the only white man in the village. In 1991, a war over a copper mine in the South Pacific tore the island of Bougainville apart. The reclusive “Popeye” (Hugh Laurie) offers the children in fourteen-year-old Matilda’s tiny village an escape with Charles Dickens’ Great Expectations. But on an island at war, fiction can have dangerous consequences.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
The police get a call-out to a lonely hotel in the Alps. When an officer gets to the hotel everything seems to be alright. Suddenly, an avalanche cuts them off from the rest of the world and strange things start happening.
Sibi and his father Pushpakandam “Baby” live a simple life, taking care of their family friend Johnson’s cardamom estate and his family’s needs. Amidst this romance blooms in both Sibi’s and Baby’s lives, and he also has to play an integral role in breaking an important news about Johnson’s son’s unexpected and impending wedding to the latter’s parents. Can Sibi handle everything without breaking any hearts?