Chloe (Karynn Moore) is a nanny who desperately wants to adopt but needs to get her life together first. She finds the perfect live-in nanny position with the Brown family – Emily (Austin Highsmith), Michael (Michael Aaron Milligan) and their son – that will help get her life back on track. She quickly learns they’re oddly strict about security, with coded locks on all doors. Emily explains it’s due to her famous musician ex named Baz (Jason Skeen), who stalks her. Horrified, Chloe agrees to help Emily and Michael keep their son safe. But when Chloe notices things seem a bit off with the Browns, Emily and Michael turn on Chloe and accuse her of being a spy for Baz. They lock her up to force a false confession out of her, but Chloe soon learns that it’s not Baz that’s making bad things happen – it’s Emily, who is determined to win back Baz by any means necessary.
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Black Journal (originally titled Gran Bollito) is a 1977 Italian drama film directed by Mauro Bolognini. It is based on the real life events of Leonarda Cianciulli, the Italian serial killer best known as the “Soap-Maker of Correggio”.
When a mafia accountant is taken hostage on his beat, a police officer – wracked by guilt from a prior stint as a negotiator – must negotiate the standoff, even as his own family is held captive by the mob.
Yi-Hwan (Lee Min-Ki) is a former professional baseball player. He was involved in fixing games and lost everything. Gang boss Sang-Ha (Park Sung-Woong) runs a money lending business and a gambling location. He makes Yi-Hwan work for him. Meanwhile, Yi-Hwan falls for bar owner Yeon-Soo (Lee Tae-Im).
Vidya Sinha (Vidya Balan) has only one obsession in life. She wants to see her teenage daughter Mini, who is paralysed waist-downwards, walk again. But, is this scenario as obvious as it seems? Or is Vidya an impersonator of Durga Rani Singh from Kalimpong, who is wanted for kidnapping and murder?
A traumatized shark expert (Halle Berry) must battle her own fears to lead a thrill-seeking businessman on a dive into a dangerous section of water known as “Shark Alley.”
A modern, dark-humored tale of greed, romance, and lost innocence in consumer-crazed, alienated society that functions as a harsh critique of society today without taking itself too seriously.
POUND OF FLESH is the story of two men, polar opposites who will fall from grace at the same moment,engage in moral and mortal combat, and discover that they are not that different after all.
Two former cops start investigating the series of murders that tanked their careers when the killings begin again.
