In Columbus, Ohio, a group of autistic teenagers and young adults role-play this transition by going through the deceptively complex social interactions of preparing for a spring formal. Focusing on several young women as they go through an iconic American rite of passage, we are given intimate access to people who are often unable to share their experiences with others. With humor and heartbreak, How to Dance in Ohio shows the daily courage of people facing their fears and opening themselves to the pain, worry, and joy of the social world.

In the aftermath of a tragic fire in a Romanian club, burn victims begin dying in hospitals from wounds that were not life threatening. A team of investigative journalists move into action uncovering the mass corruption of the health system and of the state institutions. Collective follows journalists, whistle blowers, and authorities alike. An immersive and uncompromising look into a dysfunctional system, exposing corruption, propaganda, and manipulation that nowadays affect not only Romania, but societies around the world.

During the Syrian civil war, the district of Yarmouk, home to thousands of Palestinians, became the scene of dramatic and ferocious fighting. Little Palestine (Diary of a Siege) is a film that follows the destiny of civilians during the brutal sieges, imposed by the Syrian regime, that took place in the wake of the battles. With his camera, Abdallah Al-Khatib composes a love song to a place that proudly resists the atrocities of war.

Documentary that covers Federica Pellegrini’s career and her preparation in the last 300 days before the Tokyo 2020 Olympic Games.

When Juan Catalan is arrested for a murder he insists he didn’t commit, he builds his case for innocence around raw footage from a popular TV show, “Curb Your Enthusiasm.”

In 2021, a Pentagon report revealed what the US government had denied for decades — UFOs are real and may even pose a threat to our planet. Now, ex-military members break their silence about the massive cover-up. Are we prepared for an alien invasion?

The River is a documentary about how communication and purpose play into the success and failures of managing the homeless encampment in Aberdeen, Washington.

Mom and Me takes a look at tough guys and the even tougher women who raise them. Set in Oklahoma City, apparently voted the manliest city in the United States, this creative documentary from Irish director Ken Wardrop (“His & Hers”) chronicles the relationships between ten sons and their mothers.

Antarctica lives in our dreams as the most remote, the most forbidding continent on Planet Earth. It is a huge land covered with ice as thick as three miles, seemingly invulnerable, cold and dark for eight months of the year. Yet Antarctica is also a fragile place, home to an incredible variety of life along its edges, arguably the most stunning, breathtaking and still-pristine place on earth. The one constant is that it is constantly changing, every season, every day, every hour. I’ve been fortunate to travel to Antarctica many times; most recently with 3D cameras, a first for the continent. The result is our new film, Antarctica: On the Edge.

From the makers of THE INVISIBLE WAR comes a startling exposé of rape crimes on US campuses, their institutional cover-ups, and the devastating toll they take on students and their families. Weaving together vérité footage and first person testimonies, the film follows the lives of several undergraduate assault survivors as they attempt to pursue – despite incredible push back, harassment and traumatic aftermath – both their education and justice.

Over the past 25 years, Lauren Greenfield’s documentary photography and film projects have explored youth culture, gender, body image, and affluence. In this fascinating meld of career retrospective and film essay, Greenfield offers a meditation on her extensive body of work, structuring it through the lens of materialism and its increasing sway on culture and society in America and throughout the world. Underscoring the ever-increasing gap between the haves and the have-nots, her portraits reveal a focus on cultivating image over substance, where subjects unable to attain actual wealth instead settle for its trappings, no matter their ability to pay for it.

Documentary filmmakers assert that Anthony Porter – a former death-row inmate who was spared the death penalty thanks to the efforts of a college journalism program – was actually guilty, and an innocent man was sent to prison.