Eight of the world’s most legendary monsters, along with their diabolical managers, compete in a wrestling tournament deathmatch to determine the most powerful champion of all time. Interviews, pre-fight breakdowns, trash talking, and monster origin segments round out this ultimate fight of the living dead.

Sophia is a philosophy professor in Montreal and has lived as a couple with Xavier for 10 years. Sylvain is a carpenter in the Laurentians and must renovate their country house. When Sophia meets Sylvain for the first time, it’s love at first sight. Opposites attract, but can it last?

When an all-powerful Superintelligence chooses to study the most average person on Earth, Carol Peters, the fate of the world hangs in the balance. As the A.I. decides to enslave, save or destroy humanity, it’s up to Carol to prove that people are worth saving.

Trailer Park Boys: Don’t Legalize It is the third film in the Trailer Park Boys franchise, and a sequel to Trailer Park Boys: Countdown to Liquor Day (2009). In the film, Ricky (Robb Wells), Julian (John Paul Tremblay) and Bubbles (Mike Smith) attempt a series of get-rich-quick schemes after being released from prison, but are again pursued by former Sunnyvale Trailer Park supervisor Jim Lahey (John Dunsworth).

Twelve-year-old Nick lives with his Uncle Murray, a Mr.Micawber-like Dickensian character who keeps hoping something won’t turn up. What turns up is a social worker, who falls in love with Murray and a bit in love with Nick. As the child welfare people try to force Murray to become a conventional man (as the price they demand for allowing him to keep Nick), the nephew, who until now has gloried in his Uncle’s iconoclastic approach to life, tries to play mediator. But when he succeeds, he is alarmed by the uncle’s willingness to cave in to society in order to save the relationship.

A comedy film that looks into the loosely connected lives of people with strange sexual fantasies. A woman with a dangerous fantasy and her partner’s struggle to please her. A man who begins an affair with his own wife without her knowing anything about it. A couple struggling to keep things together after a sexual experiment spins out of control. A woman who can only find pleasure in her husband’s pain. A call centre operator caught in the middle of a dirty and chaotic phone call. And the distractingly charming new neighbour who connects them all.

A naïve young boy unknowingly becomes the pawn of a serial killer.

The Gamers: Hands of Fate follows Cass (Brian Lewis) as he sets out to win a collectible card game world championship… and a date with Natalie (Trin Miller), one of the game’s top players. Meanwhile in Countermay, a world far across time and space, Myriad (Samara Lerman) begins to suspect that fate has stacked the deck against her as she attempts to save her kingdom from a ravenous army of the undead. Set at Gen Con Indy, a massive midwest games convention, this fantasy comedy from the makers of Dorkness Rising and JourneyQuest presents a new chapter in the epic, decade-spanning tale that began in The Gamers.

Molly (Martha O’Driscoll), her brother, Slats (Abbott), and his pal, Oliver (Costello), are taxi dancers at the Miramar Ballroom. As a publicity stunt, Slats plants an article about Molly claiming her ambition is to earn enough money to attend staid, all-girl Bixby College. Bixby’s progressive dean offers Molly a scholarship. Molly accepts on the condition that Slats and Oliver come along too as campus caretakers. But the pompous Chairman threatens to foreclose on the school’s mortgage if Molly isn’t expelled. Together, the trio, with the help of some new friends, concocts a scheme to raise enough money to save the school. The plan involves a bet on the Bixby basketball team, which is playing in a game rated at 20 to 1 by the local bookie. But the bookie has other plans for their dough and hires a group of ringers to step in for the opponents. All is not lost, at least while Oliver has the chance to turn things around for his friends-one way or another.

Rival groups in a skiing school do battle on and off the piste. One gang are rich and serious, the other group are party animals.

This is the story of young Tony Cannelloni as he attempts to break away from his overbearing mom and strike out on his own. He sets himself up with a new apartment, look, and lifestyle to improve his “sex appeal”. Through a series of encounters with a variety of women he gets ever closer to achieving his goal. However, a never-ending series of calamities always seem to interrupt his progress.

The great actress and Ozu regular Setsuko Hara plays a mother gently trying to persuade her daughter to marry in this glowing portrait of family love and conflict—a reworking of Ozu’s 1949 masterpiece Late Spring.