A 14-year-old video enthusiast is so caught up in film fantasy that he can no longer relate to the real world, to such an extent that he commits murder and records an on-camera confession for his parents.
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When his only friend dies, a man born with dwarfism moves to rural New Jersey to live a life of solitude, only to meet a chatty hot dog vendor and a woman dealing with her own personal loss.
A film cast arrives at a wrap party, but someone has dressed up as the slasher in the movie and begins to stage their own kill scenes. One by one, the cast disappears until the true nature of the evening is revealed.
A beautiful young girl returns to her peaceful rural home town to find that the house she grew up in has been defaced, her parents are missing, and the whole town hates her father, a bank supervisor who foreclosed on many of the local farms. Only “Marvelous Mervo,” who wanders around town dressed in a clown’s suit with a permanent grin painted on his face, seems happy to see her. As Mervo’s brother tries to rekindle his love affair with Jill, those closest to her are slaughtered like cattle, one by one.
Romeo and Juliet has never been more provocative than in this contemporary all-boy staging. Writer/director Alan Brown transfers the setting from fair Verona to a high school military campus where a small group of boys from rival schools act out the tragedy in real life. This bold adaptation eschews convention and challenges common perceptions of masculinity, gay youth and the military. Anchored by solid performances, the film balances the tough dialogue, tender romance and unique setting with an erotic rhythm and a few surprising twists.
Two Parisian high school students murder a woman they chose as a victim from a chance encounter.
A secretary is found dead in a White House bathroom during an international crisis, and Detective Harlan Regis is in charge of the investigation. Despite resistance from the Secret Service, Regis partners with agent Nina Chance. As political tensions rise, they learn that the crime could be part of an elaborate cover-up. Framed as traitors, the pair, plus Regis’ partner, break into the White House in order to expose the true culprit.
When illness strikes two people who are polar opposites, life and death bring them together in surprising ways.
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be.
Set in Abidjan’s MACA prison, the aging Black Beard, in attempt to maintain control over his fellow inmates, resorts to a “story” ritual, wherein one prisoner is forced, Scheherazade-style, to tell stories for an entire night. The young pickpocket he chooses relays the haunting tale of the Zama King.
