A gay man living with HIV must confront the guilt tormenting him after betraying and infecting his terminal ex-lover.
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Ten years ago, a tragedy changed the town of Harmony forever. Tom Hanniger, an inexperienced coal miner, caused an accident in the tunnels that trapped and killed five men and sent the only survivor, Harry Warden, into a permanent coma. But Harry Warden wanted revenge. Exactly one year later, on Valentine’s Day, he woke up…and brutally murdered twenty-two people with a pickaxe before being killed.
Max’s troubled past sparked by the abandonment by his father Tony creates a deep-rooted hunger for success that fuels him down a dark and ruthless path in the glitzy world of the Los Angeles nightclub industry.
An ancient ring which renders power over whomever wears it has come back and wreaks havoc on a small town. Fortunately, the original possessor’s descendant recognizes the power and helps a vacationing couple devise a plan to get the ring back to its rightful place.
While being interrogated by a police psychiatrist, the near-catatonic Tabitha tries to explain why she and two of her childhood friends are being hunted by a serial killer. The truth that’s dying to come out weaves together three tragic secrets from their past. Two of the girls’ boyfriends become unwitting targets in their deadly game.
Rural policewoman Andrea wants to end her marriage and become a detective inspector in the city. After a birthday party, her drunken soon-to-be ex-husband runs out in front of her car. In a state of shock, Andrea commits a hit-and-run.
Shakespeare’s 17th century masterpiece about the “Melancholy Dane” was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev’s Elsinore was a real castle in Estonia, utilized metaphorically as the “stone prison” of the mind wherein Hamlet must confine himself in order to avenge his father’s death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet’s delivers his “To be or not to be” soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.
A detail of random people are told that they are a part of a live testing for data on their reactions in the woods without any technology at their disposal . . . when in reality they are the stars of a bored and twisted family who have gathered together for the holidays to watch them all die.
It’s a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem – there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn’t hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn’t extend to spying for the Germans.
Based on the novel “Panther in the Basement” by the world-renowned author, Amos Oz, the movie takes place in Palestine in 1947, just a few months before Israel becomes a state. Proffy Liebowitz, a militant yet sensitive eleven year old wants nothing more than for the occupying British to get the hell out of his land.
A polar bear breaks out of his enclosure to bring a little girl’s teddy bear back to her. While she cares for him, the bear takes her on a magical journey. Based on Raymond Briggs’ best selling storybook, this enchanting animated tale is from the makers of The Snowman.
