The film revolves around a crack squad of female police officers who have to deal with harassment and a lack of respect from their male colleagues, personal issues as well as some serious criminals.
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Veer, a young man from a rural village, learns on his wedding day that the people whom he thought were his parents arn’t. After an attempt is made on his life by unknown gunmen, whom he kills them all using martal arts skills he didn’t know he had, he learns that all of his dreams of a past life are real and that for the past three years he was raised by the couple after finding him in a river, half-dead with five bullet wounds in him. The search takes Vir to Bombay where he soon regains his memory and finds his real name to be a Muslim game marksman named Ali and is targed by criminal bigwigs and corrupt government officials whom he used to work for and betrayed him after hiring him to assasinate various underworld criminals and then framed him for the murder of an innocent chief minister.
Dawn, a young white girl who has been kidnapped in infancy and reared by Mooda, an African woman who operates a canteen in the German cantonment, meets and falls in love with Tom Allen, an English rubber planter who is a prisoner of war. Shep Keyes, who has joined the German troops, covets her but realizes he cannot possess her because she is betrothed to the tribal god, Mulunghu. On the eve of the ceremony, he learns of her love for Tom. Tom, meanwhile, is sent back to England, and when the English take the territory from the Germans, Shep tries to incite the natives, who are experiencing a drought, against Dawn because of her love of a mortal. Tom learns from Mooda that Dawn was stolen from a white trader and finds her seeking refuge in a convent. Shep arouses the natives, but Dawn declares her faith in the white man’s God, and a thunderstorm brings relief to the parched land, after which Tom claims her for his bride.
The cat and mouse chase between the police and thieves who looted a huge amount during the COVID-19 pandemic.
Laurie Kilmartin’s tweeting while her father was in hospice quickly garnered press and Twitter followers. Her comments are as painful as they are hilarious and give voice to the very human thoughts we keep to ourselves as a loved one passes from life to death. Filmed at The Lyric Theater in Los Angeles, California, Laurie speaks about cancer, hospice, death, grieving, and funerals.
Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn’t hesitate to sleep with those who don’t agree with her to convert them to her cause – which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn’t like taking risks. She imagines that with a name like that, he’s got to be slightly fascist. But names are deceitful and appearances deceiving.
Comedy – A self-anointed ‘renegade’ male flight attendant must save the day when the airline he works for tries to eliminate flight attendants as a cost-cutting measure. – Stanley Tucci, Rebecca Romijn, Jayma Mays
Evil in Tokyo is on the rise and heroes have become a common commodity just out for fame and glory. Washed out anti-hero Gun Caliber is summoned to save Tokyo from the forces of Evil.
A misfit group of World War II American soldiers goes AWOL to rob a bank behind German lines.
Frustrated with being broke, Beans decides that the only way to grasp the American Dream is to take it.
A filmmaker introduces us to the subject of his documentary—the beautiful Jacqueline Dumont, a young Frenchwoman who claims to have uncovered a covert assassination conspiracy. While unsure of the eccentric Jacqueline’s veracity, the filmmaker nonetheless enlists a couple of interns and heads to the holistic retreat in Argentina where she’s hiding out, to explore her claims and film her story. Upon arrival, the filmmaker begins to doubt the worthwhileness of his venture, but finds reasons to hope that he might actually be capturing something big, something real, with his increasingly makeshift film.
