One night at a hot-dog stand in Finnish Lapland, a commitment-phobic party animal, Aurora, meets Iranian Darian. Darian suddenly asks her to marry him. Darian needs to marry a Finnish woman to get an asylum for himself and his daughter. Aurora turns him down, as she is busy working as a nail technician and plans to move to Norway, away from her shit life. However, after meeting his sweet daughter, Aurora agrees to help him. As Aurora introduces numerous women to Darian, the two of them grow close. When the perfect wife candidate comes along, Darian and Aurora are faced with a difficult choice: pretend to be happy or to finally stop running.
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Mia (Duff), the loyal and hard-working manager of her small town’s Christmas hat shop, is blindsided when her boss of over ten years asks her to train his son, Nick (Cupo), for a vacant upper-management position that Mia had been coveting. Although Nick is a handsome, successful New York City business consultant, Mia finds training him frustrating until Nick takes an interest in Mia’s son Scotty, helping Scotty with a pumpkin carving contest. However, Mia’s faith in Nick quickly diminishes when Nick fails to show up at the contest. To protect her son from further disappointment, Mia tries to keep Nick out of her and Scotty’s fragile life, and Nick must decide if staying in the small town of Wilsonville is worth giving up the big-city perks he once had in New York. As Mia struggles to find a way to convince Scotty to return to physical therapy so he can walk again, she soon realizes that Nick may be the Christmas miracle she has been waiting for.
Dax Ryan Locke, born to Julie and Austin Locke on June 26, 2007, was diagnosed with AML M7, a rare form of leukemia, when he was 13 months old. The Heart of Christmas is set in Washington, Illinois and at St. Jude Children’s Research Hospital, one of the world’s premier centers for the research and treatment of pediatric cancer and other deadly diseases in children. Told in flashback from the perspective of Megan (Candace Cameron Bure), a successful businesswoman, wife and mother of two, the storyline unfolds when her commitment to faith and family is renewed after reading the blog of Julie Locke, (http://www.caringbridge.org/visit/daxlocke), the online journal that Julie kept after Dax was diagnosed with Acute Myeloid Leukemia (AML) (http://theheartofchristmasmovie.com/story.php).
After many years Pooch returns to his neighbourhood. To Big Boy, his best friend, Pooch is valuable asset in his plans of becoming local crime lord. To Pooch, this reunion is painful because he is, actually, undercover cop sent to bring Big Boy down.
In forgotten towns along the American border, a young mother drifts from one motel to the next with her intoxicating boyfriend and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.
A psychological thriller about a man who is sometimes controlled by his murder-and-mayhem-loving alter ego.
The love story of a young man and the singing, suicidal femme fatale who leads him on a topsy-turvy search for his long lost-evil brother. As he gets closer to finding the truth he must decide who to trust and what to believe.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
A young American couple travel to the arctic mountains of Norway. After pulling over during a snowstorm, they wake up trapped in their SUV, buried underneath layers of snow and ice.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
Our story takes place in the fertile, San Joaquin Valley. Fueled by gin and sheer determination, Elizabeth James (Ms. Liz) operates her third generation dairy farm outside the region’s domineering co-ops. To help keep the place afloat, she’s employed five renegade ranch hands. These boys have put a pin in responsibility and opted to stretch out the party as long as possible. Unfortunately, women, booze, and fisticuffs can only lead to one outcome: trouble. With the dairy farm reporting its third straight deficit year, Ms Liz is attracting some unwanted attention. Delbert Furgeson, the owner of the area’s largest co-op, is pushing to buy her out. This only incenses the prideful Ms Liz and starts a volatile feud between the two. Sharing the narrative are the ranch hands.
A young California surfer has to grow up in a hurry when he is thrown into a Peruvian political prison in 1980.