“La Negrada” is the first mexican feature film about the Afro-mexican community, filmed entirely with people from different towns around the Costa Chica in Oaxaca.
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Quite by accident, a film director arrives in town a day early. With time to kill before his lecture, he stops by a restored palace and meets a fledgling artist. She’s never seen any of his films, but knows he’s famous. They talk, they go to her workshop to look at her paintings, and they have sushi and soju. More conversation follows, along with more drinks, and then an awkward get-together with friends where all sorts of secrets are revealed. All the while, they may or may not be falling for each other. Then, quite unexpectedly, we begin again, but now things appear somewhat different. An uncanny romantic comedy, RIGHT NOW, WRONG THEN is a deliciously intricate masterwork from filmmaker Hong Sangsoo.
November 22nd, 1963 was a day that changed the world forever — when young American President John F. Kennedy was assassinated in Dallas, Texas. This film follows, almost in real time, a handful of individuals forced to make split-second decisions after an event that would change their lives and forever alter the world’s landscape.
On 9 April 1940, German soldiers arrive in the city of Oslo. The King of Norway faces a choice that will change his country forever. The King’s Choice is a story about the three most dramatic days in Norway’s history, the royal family’s escape and King Haakon’s difficult choice after Nazi Germany’s invasion of Norway.
Vasermil tells the story of three teenagers who live in the same tough neighborhood, growing up in an unforgiving environment, pinning their hopes on football as a way out. Shlomi lives with his widowed mother, little sister, and step-father and works as a pizza delivery boy. Adiel, of Ethiopian descent, has to look after his young brother and sick mother. Dima, a new immigrant from Russia, has a father who is unemployed and a mother who works as a cleaning lady. The three teens are recruited by the coach of the local football team. Learning to work together as a team is the key to success in the tournament and success in the tournament means getting noticed by the scouts of the local football empire. In order to win the tournament they will have to play as a team, overcome their differences, get over their sense of inferiority and prejudice.
Three hot girls, four guys, and one mega-swanky yacht collide for a serious night of drugs and sexual deviancy. One debaucherous act goes too far though, turning this teen joy ride into a weekend of bloody bedlam.
A descent into hell, Jesper Ganslandt’s disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.
Game 6 is a 2005 American film directed by Michael Hoffman, first presented at the Sundance Film Festival in 2005 and released in the United States in 2006. Michael Keaton stars.
The film depicts the events of October 25, 1986 in the life of Nicky Rogan, specifically the opening of his latest play juxtaposed with Game 6 of the 1986 World Series, with a screenplay that Don DeLillo wrote in 1991. The soundtrack was written and performed by Yo La Tengo.
(from Wikipedia)
The film consists of a series of tightly interlinked vignettes, the most sustained of which details the story of a man and a woman who are passionately in love. Their attempts to consummate their passion are constantly thwarted, by their families, by the Church and bourgeois society in general.
The Los Angeles club scene is a place of booze-fueled decadence and debauchery. In a night full of possibilities, eight 20-somethings take to the clubs seeking good times, companionship and maybe a little sex. But in the harsh light of the morning after, their worlds are thrown into a spin of confusion when hungover Sara accuses hard-partying Mike of date rape. Loyalties are tested as each among them is forced to take sides.
Tatsuya Ichihashi kills a British woman who taught English in Japan. Ichihashi escapes the police dragnet to Aomori, 550 kilometres away. Learning that he is wanted by the law, he cuts his own lips to change his features. Burdened by guilt, he continues to avoid the law enforcement. He travels 1000 kilometres to Shikoku to participate in a pilgrimage in hope of resurrecting his murder victim. Obviously it fails and he remains a fugitive. As if to escape his own guilt he changes his identity and has cosmetic surgery to further alter his features. He works at construction sites and when people get suspicious of him he flees to a far-off island in Okinawa where he relies on survival skills.
