A former corporate executive fleeing a bad marriage becomes a cannabis farmer, forms a company called Sisters of the Valley and takes on the persona of a nun, Sister Kate.
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A short essay on the hidden realities beneath the surface of Shanghai.
Experience four days and nights of Country Music in downtown Nashville at CMA Fest! It’s the Ultimate Country Music Fan Experience!
A team of experts analyse the case of Melissa Caddick and question where she could have gone after she disappeared, taking with her millions of dollars that she had swindled from her friends and family.
The Decline of Western Civilization III is a 1998 documentary film directed by Penelope Spheeris that chronicles the gutter punk lifestyle of homeless teenagers. It is the third film of a trilogy by Spheeris depicting life in Los Angeles at various points in time. The first film dealt with the punk rock scene during 1980-1981. The second film covers the Los Angeles heavy metal movement of 1986-1988. The film involves hardcore street punks called “gutter punks” who take the anti-establishment message with extreme seriousness, and tune out society completely. Spheeris talks to homeless teenagers living on the street or squatting in abandoned buildings in Los Angeles, as well as an unstable mother, Los Angeles Police Department officer Gary Fredo, and a paralyzed youth living on a disability.
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago. Cocaine Cowboys is the true story of how Miami became the drug, murder and cash capital of the United States. But it isn’t the whole story – Pulling from hundreds of hours of additional interviews and recently uncovered archival news footage, Cocaine Cowboys has been RELOADED: packed with footage and stories that have never been told about Griselda Blanco, the Medellín Cartel, and Miami’s Cocaine Wars, with firsthand accounts by hit man Jorge ‘Rivi’ Ayala, cocaine trafficker Jon Roberts, smuggler Mickey Munday, and others. Cocaine Cowboys: Reloaded recreates Miami’s Cocaine Wars like you’ve never experienced it.
Though several actors portray Elvis Presley at different stages of his life, this documentary is comprised mostly of actual performance footage and interviews with Elvis, his fans and those close to him. This biographical docu-drama features rare footage of Elvis and dramatically recreated scenes from Elvis’ life.
Documentary exploring the deep-seated biases and attitudes about skin color—particularly dark-skinned women, outside of and within the Black American culture.
When a daughter becomes concerned about her mother’s well-being in a retirement home, private investigator Romulo hires Sergio, an 83 year-old man who becomes a new resident–and a mole inside the home, who struggles to balance his assignment with becoming increasingly involved in the lives of several residents.
Not Taco Bell Material is Adam Carolla’s first ever stand up special based on his New York Times best-selling autobiography. The performance showcases Adam’s incredible improvisational comedy skills featuring tales from his youth, told through stand-up comedy and photos. It’s hilarious, poignant, and even inspiring.
It’s Tim Vine recorded live doing what he does best, peppering gags at a defenseless audience. Armed with an arsenal of rapid fire one-liners, a bag of cheap props and a pocket full of stupid ditties. Watch Tim in full flight…. resistance is futile.
Oscar® winners Mark Jonathan Harris and Deborah Oppenheimer (INTO THE ARMS OF STRANGERS: STORIES OF THE KINDERTRANSPORT) roam courtrooms, foster homes, juvenile halls and the streets of Los Angeles to tell the moving human stories behind the largest county child protection agency in the United States.
“The Love We Make”, a film directed by Albert Maysles (“Gimme Shelter”) and Bradley Kaplan, follows Paul McCartney as he journeys through the streets of New York City in the aftermath of the destruction of the World Trade Center on September 11th, 2001. It also chronicles the planning and performance of the benefit concert that took place less than six months after the attacks: “The Concert For New York City”.