Tegan Quin (from Tegan and Sara) has been the victim of identity theft and an ongoing catfishing scam for over 15 years. While investigating, she shares for the first time, how she was ensnared in toxic fan culture that revealed the dark side of fame.

Making a Killing: Guns, Greed, and The NRA tells the stories of how guns, and the billions made off of them, affect the lives of everyday Americans. It features personal stories from people across the country who have been affected by gun violence, including survivors and victims’ families. The film exposes how the powerful gun companies and the NRA are resisting responsible legislation for the sake of profit – and thereby putting people in danger.

Filmed live in Los Angeles, Bellamy gives a terrific performance, engaging the audience on such topics as sex chat rooms, killer whales and their trainers,nJay-Z and Beyonce, making it rain in strip clubs and more.

Selling the Girl Next Door takes viewers into the world of underage American girls caught up in the violent sex trade. Thousands of girls under the age of 18 are ensnared into lives of prostitution annually, according to the National Center for Missing & Exploited Children. Many are runaways or “throwaways” trapped in “the oldest profession” by pimps who sell them using modern sales and marketing techniques, including the online classified website Backpage.com.

Lift shines a spotlight on the invisible story of homelessness in America through the eyes of a group of young homeless and home-insecure ballet dancers in New York City and the mentor that inspires them.

Journey into the extraordinary world of “The Witcher” — from casting the roles to Jaskier’s catchy song — in this behind-the-scenes look at the series. Go behind the monsters, the ballads and every bit of magic that went into bringing The Witcher’s Continent to life.

Dr Michael Mosley investigates Britain’s most secretive and controversial military research base, Porton Down, on its 100th anniversary. He comes face to face with chemical and biological weapons old and new, reveals the truth about shocking animal and human testing, and discovers how the latest science and technology are helping to defend us against terrorist attacks and rogue nations.

Set entirely at night, Field Niggas takes us to the corner of 125th Street and Lexington Avenue in Harlem and introduces us to its faces. The non-synch audio track consists of conversations with and among those faces: dreams, regrets, arguments, affection, observations, opinions.

On January 29, 2017, a lone gunman entered a mosque in Quebec City, took the lives of six people, injured 19 others and left an entire community in complete shock and grief. This act of hatred, fuelled by racism and Islamophobia, transformed a place of worship and community to a site of unthinkable trauma, devastating Muslim communities the world over and forcing Canadians to question how we got here in the first place.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

An in-depth biography about the New York Jets / ex-Denver Bronco’s polarizing QB Tim Tebow.

Kirk Cameron hosts a “family meeting” to discuss unity in a time when political, racial, economic, and religious tensions are increasing every day.