Two hoplessly out of their class con-men attempt to pull off the largest bank heist of the l9th century. They gain the enmity of the most famous bank Robber in the world and the affection of a crusading newspaperwoman.
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Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
Cartman’s deeply disturbing dreams portend the end of the life he knows and loves. Meanwhile, the adults in South Park are wrestling with their own life decisions, as the advent of AI is turning their world upside down.
A middle-aged married man doing a job with an unexciting life but things turn after he finds that his wife is having an extramarital affair.
Set in the Bronx during the tumultuous 1960s, an adolescent boy is torn between his honest, working-class father and a violent yet charismatic crime boss. Complicating matters is the youngster’s growing attraction – forbidden in his neighborhood – for a beautiful black girl.
The Davenport sisters have drifted apart over the years but when their Dad wins the lottery all he wants is having his girls home for Christmas. Getting over years of resentment proves a big task but it’s pushed aside when their mother suffering from dementia looses the ticket. They put aside their differences to help find the ticket and in doing so get over their differences and finally learn to come together.
News about the disappearance of panties is still being covered every day. Kyosuke (Ryohei Suzuki) still wears Aiko Completo’s (Fumika Shimizu) panties to battle evil. Meanwhile, Aiko has mixed emotions and decides to get her panties back. Kyosuke suffers from the loss of Aiko’s panties and disappears, but his biggest enemy yet is about to materialise…
“Sugar” Ray is the owner of an illegal casino, who contend with the pressures of vicious gangster and corrupt policemen who want to see him go out of business. In the world of organized crime and police corruption in the 1920s, any dastardly trick is fair!
In Providence, Rhode Island, habitually widowed Atalanta pays a visit to her second-rate lawyer Barry Dragonetti. Intending to settle her latest husband’s affairs, this larger-than-life Greek tightwad quickly becomes a nightmare for her cheesy, self-aggrandizing attorney.
A teenager attends a fantasy writers’ convention where he discovers his idea has been stolen by an established novelist.
