The film follows Kaspar Hauser (Bruno S.), who lived the first seventeen years of his life chained in a tiny cellar with only a toy horse to occupy his time, devoid of all human contact except for a man who wears a black overcoat and top hat who feeds him.
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A reclusive, God-fearing 91-year-old man and a young Cuban refugee home-aid worker struggle to come to terms with their regrets, the unbearable pain of unacceptable loss, love and the most difficult and beautiful of human truths: life ends and life goes on.
Riding on their tuned-up bikes, Mati and her posse of male friends intimidate their neighborhood and harass the girls. In their village, they rule. But when her closest pal Sebastian falls in love with Mati and her enemy Carla unexpectedly turns into a friend, Mati is in danger of losing her standing among her male friends. Meanwhile Mati’s parents have a decision to make: What’s more important, appearances or reality?
Bri, a young rapper and the daughter of an underground hip hop legend who died just before making it big. Her father’s legend makes him a hard act to follow, but between Bri being bullied and watching her mother struggle after losing her job, she pours out her frustration into songs that become big viral hits.
A group of men who were clearing bush for the government arrive back in town, claiming that their friend was abducted by aliens. Nobody believes them, and despite a lack of motive and no evidence of foul play, their friends’ disappearance is treated as murder.
Despite the tumor-shrinking medical miracle that has bought her a few years, Hazel has never been anything but terminal, her final chapter inscribed upon diagnosis. But when a patient named Augustus Waters suddenly appears at Cancer Kid Support Group, Hazel’s story is about to be completely rewritten.
In preparation for Operation Overlord, the Allied invasion of Nazi occupied territory, the ‘overlords’ were the few Allied agents who knew the details of the operation. When one them is captured by the Germans, a double agent must infiltrate occupied Paris, with the help of a high level German officer and the French Resistance.
When his father dies, Terry (Gary Sinese) returns to the house where he grew up, planning to stay only long enough to clean and settle the estate. Yet something indescribable keeps him there longer than expected. Soon, he is reunited with memories and people from his past and his life is changed forever.
Are you young, sexually confused, just trying to get by? Do you sing, dance or possess some other talent? Welcome to the Garden Party. At the center of the story is 15-year-old April. She is running from one bad situation into another, hoping to find an answer that doesn’t involve taking off her clothes.
Claire (Alexandra Breckenridge), a savvy venture capitalist from New York City, escapes to a quaint town in Vermont for the holidays and becomes a guest of the Fortenbury Bookstore. Upon arrival, Claire finds Christmas celebrations have been canceled by the town after a flood and the bookstore is in a dire state of disrepair. She immediately takes on the challenge to revitalize the store, but clashes with the owner, Andrew (Jamie Spilchuk), who initially rejects all her proposed improvements. Eventually, sparks fly as the two begin a budding romance, and Claire’s infectious optimism inspires Andrew to join her in reviving the yuletide spirit. But everything comes to a screeching halt when Claire discovers that Andrew is planning to sell the bookstore in the New Year. Will the spirit of Christmas be enough to change Andrew’s mind and encourage him to follow his heart?
British retirees travel to India to take up residence in what they believe is a newly restored hotel. Less luxurious than its advertisements, the Marigold Hotel nevertheless slowly begins to charm in unexpected ways as the residents find new purpose in their old age.
For Rachel growing up requires letting go of the haunting memory of her deceased parents, the influence of her older sister Mona, the masking of long buried secrets and inherited spiritual practices.
In the aftermath of the Spanish Civil War, Ana, a sensitive seven-year-old girl in a rural Spanish hamlet is traumatized after a traveling projectionist screens a print of James Whale’s 1931 “Frankenstein” for the village. The youngster is profoundly disturbed by the scenes in which the monster murders the little girl and is later killed himself by the villagers. She questions her sister about the profundities of life and death and believes her older sibling when she tells her that the monster is not dead, but exists as a spirit inhabiting a nearby barn. When a Loyalist soldier, a fugitive from Franco’s victorious army, hides out in the barn, Ana crosses from reality into a fantasy world of her own.