The emotional story of how one of the greatest rock frontmen went from the dizzying heights of his champagne supernova years in Oasis to living on the edge ostracised lost in the musical wilderness of boredom, booze and bitter legal battles
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An associative collection of visual impressions across fifteen chapters: a seagull in Porto, political posters in New York, an abstract painting in St. Petersburg, an abandoned video shop in Cairo and cats everywhere you look.
Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.
The successful artist and playboy Juan is a notorious seducer of women, through his ability to be just what a woman dreams of: Charming, charismatic, strong, sensitive, sexual. Driven by a restless urge to conquer new women, use them, and throw them away, he has hired his friend Leporello to help create a masterpiece: A filmed database of all the women whose dreams Juan has shattered. We follow Juan and Leporello through 24 compressed hours. Juan seduces the young upper-class girl Anna, but ends up accidentally killing her father, a powerful police commissioner. The two friends run away, but Juan’s constant need to seduce new women keeps interrupting their flight. As the police gains in on them, Juan also steals the young bride Zerlina from her groom Masetto, and soon a feverish manhunt is on for Juan.
Charles Lloyd was one of the most influential jazz musicians of the 1960s. His music crossed traditional boundaries and explored new territories. Catapulted into worldwide fame in his 20s, by his early 30s, he abandoned his life of touring and recording and went into seclusion in Big Sur, CA. Circumstance brought him back to a public life in the late 1980s. ‘Arrows Into Infinity’ is a journey in sound through the unusual life and career of this jazz legend. Lloyd’s own voice, and those who worked with him over the last five decades help us discover and better understand this enigmatic man and his spiritual pursuit through music. This film is a collaborative work between Lloyd’s wife Dorothy Darr; a painter, and videographer/filmmaker, Jeffery Morse.
For over a decade, this portrait of a North Philadelphia family and the creative sanctuary offered by their home music studio was filmed with vérité intimacy. The family’s 10-year journey is an illumination of race and class in America, and it’s a testament to love, healing and hope.
For teenage misfits Hunter and Kevin, the path to glory is clear: Devote themselves to metal. Win Battle of the Bands. And be worshipped like gods.
As Hungary’s political climate becomes increasingly radicalized, Virág, a former green politician, loses faith in the democratic parliament of Hungary and retires from politics. She and her musician partner Nóra decide to adopt a child and focus on building a family together. With a sensitive lens and close access, directors Asia Dér and Sári Haragonics follow the two women through their long and ultimately successful adoption process to bring home their young daughter of Roma origins. But tensions begin to rise between the two as Virág thrives in her role as mother and Nóra struggles to find her place within the family. As the rising tides of hate and homophobia in Hungary begin to overflow into their family, their lives hit a boiling point and they must face the difficult decision of whether to leave their country behind.
A working-class photographer captures the impact of Thatcherism on the north of England but is unable to escape the poverty and inequality she exposed.
Alone in a small white house on the edge of national road 1, the Trans-Saharan road, which connects Algiers to Tamanrasset crossing the immensity of the desert, Malika, 74, one day opened her door to the director Hassen Ferhani, who came there to scout with his friend Chawki Amari, journalist at El Watan and author of the story Nationale 1 which relates his journey on this north-south axis of more than 2000 km. The Malika of Amari’s novel, which Ferhani admits to having first perceived as a “literary fantasy”, suddenly takes on an unsuspected human depth in this environment naturally hostile to man. She lends herself to the film project as she welcomes her clients, with an economy of gestures and words, an impression reinforced by the mystery that surrounds her and the rare elements of her biography which suggest that she is not from the region, that she left the fertile north of Algeria to settle in the desert where she lives with a dog and a cat.
Forty years after the disappearance and murder of a 10-year-old German girl, her family continues to pursue the truth as police grapple with new scientific evidence and investigate a case they thought was solved.