Forced to give up his land and home, Texas rancher Red Bovie isn’t about to retire quietly in a dismal trailer park. Instead he hops in his Cadillac and hits the road with his estranged grandson for one last wild adventure filled with guns, women and booze. It’s just another night in Old Mexico.
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A spin-off scenario taking place after the events of the TV special Dragon Ball Z: Bardock – The Father of Goku, in which Bardock survives the destruction of Planet Vegeta and is sent into the past, combating Frieza’s ancestor Chilled and turning into a Super Saiyan.
Taking his inspiration from the biggest scandal in Japan’s police history, Kazuya Shiraishi has created a massive and sinister crime epic about the grand forces of corruption that brings to mind the best of Kinji Fukasaku’s yakuza movies (Cops vs. Thugs among others). Starting in 1970s Hokkaido like a nervous Japanese Starsky & Hutch–chan, the film charts the moral descent of Detective Moroboshi (Go Ayano) over three decades. Green in years but already hard‐grained and ready to play rough, the young cop quickly gets a bit too cozy with the other side of the law when his senior colleague Murai (Pierre Taki) teaches him the ropes and ruts of the police business. Soon, he swaggers and rants through the streets of Sapporo a lean, mean, sex‐crazy bully, indistinguishable from a yakuza. Burning with the same blaze as the hard‐boiled classics of yore, Twisted Justice scorches away the sleekness and macho self‐congratulation of the genre.
An unlikely friendship between 2 young men becomes everything, when an Australian soldier takes refuge under the canopied jungles of Singapore, during the violent Japanese invasion in World War II. Jim is lost, injured and defenseless in a hostile, tropical world, hunted by Japanese troops, Seng, a Singapore-Chinese resistance fighter emerges from the jungle and the two young men find themselves thrown together hoping to survive.
Karen Kingsbury’s The Bridge is the sweeping tale of Molly Callens (Findlay) and Ryan Kelly (Nash), two young students who share a profound friendship their first semester in college, a time that becomes the defining moment of their lives.
In India, open romance is forbidden, as is showing affection in public. A college principal named Narayan is a strong believer in this, aware that a male student named Vicky is in love with Ishika; while another male student is hopelessly in love with Sanjana; and a third man named Karan is in love with a married woman named Kiran. No amount of persuasion can get Narayan to change his mind. Then the college recruits a music teacher named Raj, who eventually starts fanning the flames of love among the students, much to Narayan’s chagrin, anger, and displeasure. Things get worse when Narayan finds out that Raj was the very man who fell in love with his daughter who eventually committed suicide when he didn’t grant them permission to get married. Will the six young people be also heartbroken by Narayan, and if so, who will be the first to kill himself or herself?
A young politician finds himself in a position where he has to contest against his girlfriend, who is ambitious. Circumstances force his look-alike twin to also get involved in this political battle.
A gay cop and a lesbian teacher enter a sham marriage to pacify their families but find that relationships — both real and fake — aren’t all that easy.
Late 1970s. Two 25-year-old men meet by chance and fall madly in love. An unexpected event, however, separates them. For thirty years they still pursue the hope of finding each other again, because they still love each other.
A man trying to get home to his dog gets stuck in a time loop that forces him to relive a deadly run-in with a cop.