November 22nd, 1963 was a day that changed the world forever — when young American President John F. Kennedy was assassinated in Dallas, Texas. This film follows, almost in real time, a handful of individuals forced to make split-second decisions after an event that would change their lives and forever alter the world’s landscape.
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This Canadian made comedy/drama, set in Hamilton, Ontario in 1954, is a sweet and – at times – goofy story that becomes increasingly poignant as the minutes tick by.
It’s the fictional tale of a wayward 9th grader, Ralph (Adam Butcher), who is secretly living on his own while his widowed, hospitalized mother remains immersed in a coma. Frequently in trouble with Father Fitzpatrick (Gordon Pinsent), the principal of his all-boys, Catholic school, Ralph is considered something of a joke among peers until he decides to pull off a miracle that could save his mother, i.e., winning the Boston Marathon. Coached by a younger priest and former runner, Father Hibbert (Campbell Scott), whose cynicism has been lifted by the boy’s pure hope, Ralph applies himself to his unlikely mission, fending off naysayers and getting help along a very challenging path from sundry allies and friends.
One summer morning, 12-year-old Arnold Hillerman and his 17-year-old brother Eugene wake at dawn on their family’s Montana farm. In a nearby pasture, Arnold’s gun fires accidentally. His brother is killed instantly. Isolated by emotions he can’t comprehend, Arnold must now come to terms with his grieving family – including his angry father, his frightened mother, his antagonistic uncle and his gentle, straight-talking grandfather – while his family must come to terms with Arnold.
A mainstream comedy that raises the question and humorously exposes the difficulty and complexity of raising children in a society of ultra performance, nourished by parents who, wanting to give the best to their children, end up suffocating them.
The Newlyn School of artists flourished at the beginning of the 20th Century and the film focuses on the wild and bohemian Lamorna Group, which included Alfred Munnings and Laura and Harold Knight. The incendiary anti-Modernist Munnings, now regarded as one of Britain’s most sought-after artists, is at the centre of the complex love triangle, involving aspiring artist Florence Carter-Wood and Gilbert Evans, the land agent in charge of the Lamorna Valley estate. True – and deeply moving – the story is played out against the timeless beauty of the Cornish coast, in the approaching shadow of The Great War.
Directed by Christopher Menaul (‘Summer in February’, ‘Fatherland) and written by Jenny Lecoat, Another Mother’s Son tells the true story of Louisa Gould, a widow living in Nazi occupied Jersey who takes in a Russian prisoner of war, Feodor Burrij. Jenny Seagrove, Julian Kostov, John Hannah, Ronan Keating and Amanda Abbington star. The producer is Bill Kenwright.
Set during the last days of the Ottoman Empire, a love triangle develops between Mikael, a brilliant medical student, the beautiful and sophisticated artist Ana, and Chris, a renowned American journalist based in Paris.
When Max, who is recovering from a traumatic accident, takes a job as a nighttime security guard, he begins to see visions of a young mysterious woman in the store’s mirror.
A young Filipina searches for the missing links between her strange bleeding condition and her faraway mother’s healing powers.
Two brothers are pulled into a deal with an organized crime syndicate in Boston.
Manifest: The Chryzinium Era is a 2017 American science fiction short film drama, written, directed and produced by Rick Lord, Phillip Wade and Tim Wade, in which Madison and her father are outcasts in a society ruled by an alien civilization. Survival is becoming more difficult, forcing Madison to make a decision that will change her life forever. The film stars Phoebe Jacobs, Rick Lord and Tim Wade.