Arap Kadri, fond of his freedom, is an unruly man who lives in the forest. The same forest where Tarzan establishes order, creatures try to live an orderly life. Kadri cannot adapt to city life, throwing a wrench into the regular life he encounters in the forest. This situation causes a conflict between him and Tarzan.

It’s not unusual for alcoholic cop Lou to black out and wake up in unfamiliar surroundings, but lately things have taken a turn for the strange…and hairy. WolfCop is the story of one cop’s quest to become a better man. One transformation at a time.

Diagnosed with ovarian cancer, iron-willed journalist Sheng Nan (“Surpass Men” in Chinese) is pressured to make a quick fortune and find mind-blowing sex before the costly surgery numbs her senses. Taking on a businessman’s biography writing job, she hikes into the misty mountains, where a chain of outbursts with her dysfunctional family, grumpy client, misogynistic co-worker and dreamlike romantic interest hilariously unfold. As deeply moving as it is luminously witty, writer-director Teng Congcong’s debut waltzes across the bitterness swallowed by her generation of women born under China’s One Child Policy, unprecedentedly burdened to “surpass men” while trying not to be “leftover women” at the same time. Saluting the 18th-century Chinese literature classic Dream of the Red Chamber in its title, the enchanting gem refreshes the novel’s transcendent contemplation on desire, death and womanhood from a modern cinematic perspective.

A family lives in the Mexican countryside raising fighting bulls. Esther is in charge of running the ranch, while her husband Juan, a world-renowned poet, raises and selects the beasts. Although in an open marriage, their relationship begins to crumble when Esther falls in love with an American horsebreaker and Juan is unable to control his jealousy.

Dead Rush is the end of the world, as we know it. Seen through the eyes of one man – David – As he takes us through his journey: before, during and after the zombie outbreak.

When an Asian American girl from the wrong side of the tracks is accepted by a prestigious university, she finds that her academic prowess can be put to lucrative use.

A stoner and his dealer are forced to go on the run from the police after the pothead witnesses a cop commit a murder.

Charlie impersonates an employee of the U.S. government to foil an espionage plot which would destroy part of the Panama Canal, trapping a Navy fleet on its way to the Pacific after maneuvers in the Atlantic.

What happens when you take a Young Gun, a veteran, some chick and this other guy and drop them off in the middle of the snow-coated Canadian wilderness with a few boards and enough lenses to make even Marilyn Monroe blush? We wanted to find out. And so we did all that. Then we made Depth Perception. The film invites you to join Austen Sweetin, Travis Rice, Robin Van Gyn and Bryan Fox on an expedition. It’n to learn about nature. An expedition to ride some of the best backcountry on the planet. And, occasionally, an expedition to violently fall down a mountain to the peaceful hum of a violin. Mmm. Yeah. Depth Perception is somehow as earnest as it is tongue-in-cheek.

On shore leave, a young sailor meets and falls in love with a pretty young blonde. He goes home with her to meet her parents, but they don’t approve of him at all. Their daughter takes offense at this, and in the ensuing argument she storms out of the house determined to live on her own.

After 300 years of slumber, three sister witches are accidentally resurrected in Salem on Halloween night, and it us up to three kids and their newfound feline friend to put an end to the witches’ reign of terror once and for all.

At the request of his daughter, Turbo is reluctantly forced to open his doors for 30 days to his emotionally fragile and eccentric ex-wife, Loba, following a prolonged stay at a mental hospital. As old feelings reemerge, Turbo and Loba find themselves at the center of a perfect storm that could set them on an odyssey of rediscovery… or send them both back to the madhouse.