In a dystopian future, a totalitarian regime maintains peace by subduing the populace with a drug, and displays of emotion are punishable by death. A man in charge of enforcing the law rises to overthrow the system.
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Wyatt Earp and his brothers Morgan and Virgil ride into Tombstone and leave brother James in charge of their cattle herd. On their return they find their cattle stolen and James dead. Wyatt takes on the job of town marshal, making his brothers deputies, and vows to stay in Tombstone until James’ killers are found. He soon runs into the brooding, coughing, hard-drinking Doc Holliday as well as the sullen and vicious Clanton clan. Wyatt discovers the owner of a trinket stolen from James’ dead body and the stage is set for the Earps’ long-awaited revenge.
It’s a music documentary that tells the story of Roy Gurvitz, who created Lost Vagueness, at Glastonbury and who, as legendary founder, Michael Eavis says, reinvigorated the festival. With the decadence of 1920’s Berlin, but all in a muddy field. A film of the dark, self-destructive side of creativity and the personal trauma behind it.
Dora Welles is an imaginative college grad ready to experience all the excitement of life. Instead she finds herself in snowy upstate New York caring for her reclusive great aunt (who has lived a much more exciting life than anyone realizes).
Milo Boyd is a bounty hunter whose latest gig is rather satisfying, as he finds out that the bail-skipper he must chase down is his own ex-wife, Nicole — but she has no intention of getting nabbed without a fight. Complicating matters, Nicole’s wannabe-boyfriend, Stewart, joins the chase.
Filmmaker Talya Lavie steps into the spotlight with a dark comedy about everyday life for a unit of young female Israeli soldiers. The human resources office at a remote desert base serves as the setting for this cast of characters, who bide their time pushing paper, battling for the top score in Minesweeper, and counting down the minutes until they can return to civilian life. Amidst their boredom and clashing personalities, issues of commitment—from friendship to love and country—are handled with humor and sharp-edged wit. In Hebrew with subtitles.
The story of a woman who must find her kidnapped son, navigating a world she doesn’t know, on the edge of danger with every heartbeat.
Young and talented Han van Meegeren is a rebel in the early 1920’s Amsterdam art-scene. Because he paints in the style of his idols Rembrandt and Vermeer, critics find his work old-fashioned and they call him a copycat. Just to prove a point, he produces a fake Vermeer and tries to pass it off as a real one. It works. Instead of revealing the truth and thereby embarrassing the art world, he continues to make money off of his many forgeries. Soon he is caught in a web of lies and deceit, and his life spins out of control. Then one day, high ranking Nazi Hermann Göring knocks on his door, looking for a Vermeer for his private collection…
The rumor of Slit mouth woman is blasting in LA. Claire (Lauren Taylor) sees the nightmare of her every night. She met the professor of the urban legends research and talk about the phenomenon. She finds out that the incidents are not just Slit mouth woman but the other urban legends from Japan. The professor assumes that some of the homicides are relates to Japanese Urban Legends and ghosts, which are actually happened in LA. A few days later, she scared of illusion of Japanese Urban Legends and realizes that she herself is turning into the woman.
Max imagines running away from his mom and sailing to a far-off land where large talking beasts — Ira, Carol, Douglas, the Bull, Judith and Alexander — crown him as their king, play rumpus, build forts and discover secret hideaways.
Gypsy’s mother Rose dreams of a life in show business for her daughters, but Louise becomes a huge burlesque star. Stage musical based on the book by Arthur Laurents.
A stuntwoman on a western picture takes over the lead role when the star’s alcohol problems prove too much, and she finds herself gradually falling in love with the film’s producer.
