I’ll Take Your Dead follows William who has a simple job, he makes dead bodies disappear. This isn’t something he likes to or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of them are haunting their house. After a woman’s body, is dumped at the house, William begins his meticulous process when he realizes, she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to go finish what they started.

When a young man is executed for committing murder, he leaves behind a curse letter, promising vengeance for all those connected to his unfair trial.

As a grisly virus rampages a city, a lone man stays locked inside his apartment, digitally cut off from seeking help and desperate to find a way out.

Robgen industries newest security system is “The J Series Automatic”, an android model designed and programmed to protect humans from violent attacks. But one night, an Automatic named J269 discovers a Robgen executive trying to rape a female employee named Nora Rochester. While trying to stop the crime, he inadvertently kills the executive. At this point, J269 then calls Goddard Marx (his creator and a Robgen chairman) to inform him of the incident. Marx tells the android to stay there with Rochester until help arrives, but Marx is intent on sweeping the fiasco under the rug by sending mercenaries to eliminate both J269 and Rochester. Now the two are fugitives on the run from a para-military hit squad.

A clueless, flamboyant college kid discovers that the soul of a great vampire king resides within him. Now he must choose between his friends and his destiny.

Celia (Monica Keena, Freddy vs. Jason) has had a rough life, with a mother who died in childbirth and a father who disappeared. Unfortunately for Celia, death is not any easier than life. When she is drugged and raped at a frat party, Celia dies from an overdose, and must battle the terrible Soul Eaters who roam the afterlife.

John Henry, a down on his luck salesman, is given a chance at success by an alien visitor, trading technology for help in human experimentation. Blinded by his ambition, the salesman open a doorway in which the alien can develop the means to control the human race. It’s left to Detective Mike Washburn, who is investigating the missing persons reports, to get to the bottom of the disappearances.

Paul Naschy plays a hunchback with below average intelligence who works at the morgue. He is in love with a sickly girl who happens to be the only person who is kind to him. Each day he brings her flowers until the day she dies.

Henry Jekyll is a troubled man. His wife died of pneumonia. He wants his sister-in-law, but her father forbids any contact. And his experiments into the dual nature of man have yielded a personality-splitting drug that he has tested on himself, changing him into an uninhibited brute who seeks violent and undignified pleasures. Jekyll quickly becomes addicted to the sordid freedom induced by the drug. He can commit the most enjoyably revolting deeds, then return to his laboratory and use an antidote to change back to his original form, so that his lofty persona remains untarnished.

After the death of a young woman’s parents, Elaine goes to live with her eccentric Aunt Tilda whom she’s never met before in a quiet mountain town, Bloomfield.

An inexperienced moviemaker attempts to complete a horror film. The production gets complicated when a real serial killer begins to take out members of the cast and crew.

A young woman walks down a desire path next to her house and invites a demonic figure into her life in this vampire film with an elliptical plot, minimal dialogue, and characters that are defenseless against their drives.