Cast, crew, and fans explore the classic Back to the Future time-travel trilogy’s resonance throughout our culture 30 years after Marty went back in time.
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Nine o’clock on Monday morning, August 18, 1969: while the work force was starting the day, Jimi Hendrix was taking the stage at Woodstock. While hundreds of thousands had already left, 25,000 people remained to see this incredible performance. Hendrix, along with drummer Mitch Mitchell and bassist Billy Cox, offered masterly renditions of the songs of the recently disbanded Experience (“Hey Joe,” “Foxey Lady”), and gave a preview of the blues-based Band of Gypsys (“Izabella,” “Hear My Train A Comin'”), as well as Jimi’s era-defining rendition of “The Star Spangled Banner.” Though the weekend had witnessed some landmark performances by other great artists, this performance from Hendrix is regarded by many as the defining moment in a festival ripe with defining moments.
The tragic medieval tale of a man of inhuman strength, fierce temper and a desire for noble knighthood. While on the run as a murderer, he finds new life as a knight, only to face disillusionment, the horrors of war and ugly human vices.
Dodger, a criminal monkey, belongs to a crooked street performer but escapes his life of crime only to end up in the arms of Eva, an innocent little girl whose mother has no idea that her daughter is harboring a fugitive.
Two American filmmakers travel undercover in China and Tibet during one of the most precarious times in the country’s recent history. Their journey begins in hot-bed areas of Tibetan activism in India and Nepal, before continuing into the most closed off regions of Tibet, during the full scale media blackout that began in 2008 and continues to this day. Their goal is to meet with leading Tibetan activists who are risking their lives to peacefully protest against oppression by the Chinese government’s police state in a region kept “in the dark”. Traveling undercover, a dangerous cat-and-mouse game unfolds as secret police maintain 24 hour surveillance of the filmmakers. Unable to document their intended subjects, they are forced to turn the cameras on themselves as they become the targets. All their moves are followed, leading to hotel break-ins, equipment theft, and cyber-hacking and spying – ultimately putting the filmmakers’ very lives in danger. Forced to flee and return to the US.
Every year the Chincoteague fire department rounds up the wild ponies of Assateague Island and holds an auction to thin out the herd. The young children set out to raise enough money in hopes that the Phantom will be caught in this years round up. They soon realize they will get more than they bargained for when the Phantom has a surprise for everyone: a foal named Misty.
Based on the true story of a Russian serial killer who, over many years, claimed victim to over 50 people. His victims were mostly under the age of 17. In what was then a communists state, the police investigations were hampered by bureaucracy, incompetence and those in power. The story is told from the viewpoint of the detective in charge of the case.
After being assigned to an animal rescue shelter as part of his community service by his probation officer, a troubled teenager is forced to get into the spirit of the holidays when he is recruited to help find homes for twelve unwanted dogs before Christmas.
A documentary film about session and touring musicians that are hired by well establish and famous bands and artists. These people may not be household names, but are still top notch performers!
Fourteen year old Nim, more determined than ever to protect her island and all the wildlife that call it home, faces off against resort developers and animal poachers. Soon she realizes she can’t depend on her animal cohorts alone and must make her first human friend – Edmund, who’s run away to the island from the mainland – to save her home.
These are the years of the First World War and Dr. Stefano Zorzi spends his days in the Exemption Clinic in a large city of Northern Italy, where he not only takes care of soldiers who arrive from the massacre of the front, but also he fights simulation and self-harm of those who hope to be dispensed, by sending them before the Military Court. If Stefano, in fact, does his utmost to heal soldiers and send them back to fight, Dr. Giulio Farradio makes them ill, or helps them to self-injure seriously enough to be exonerated. The two doctors, who went to university together and were great friends, they not only (secretly) challenge each other on a professional level, but also on the sentimental one: they are both linked to Anna, a courageous nurse with a strong character. But when the great ‘Spanish’ fever epidemic arrived in 1918, the time for love, politics and science ends up getting confused dangerously…
