An art thief becomes trapped in a New York penthouse after his heist goes awry. Imprisoned with nothing but priceless works of art, he must use all his cunning and invention to survive.

Inside a darkened house looms a column of TVs littered with VHS tapes, a pagan shrine to forgotten analog gods. The screens crackle and pop endlessly with monochrome vistas of static white noise permeating the brain and fogging concentration. But you must fight the urge to relax: this is no mere movie night. Those obsolete spools contain more than just magnetic tape. They are imprinted with the very soul of evil.

Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.

An abused beagle runs away from his owner. On the road, he meets young Marty Preston and follows him home. The boy immediately forms a bond with the dog and names him Shiloh. His stern father won’t let him keep the dog because it belongs to Judd Travers, a local hunter. After Shiloh is mistreated again, he runs away and returns to Marty. Knowing his father will once again make him bring Shiloh back to Judd, he makes a home for the dog in an old shed up the hill from the Prestons’ house and hides him from his family. His secret is soon discovered when a stray attacks the dog one night and he must turn to his father for help.

William Tell just wants to play cards. His spartan existence on the casino trail is shattered when he is approached by Cirk, a vulnerable and angry young man seeking help to execute his plan for revenge on a military colonel. Tell sees a chance at redemption through his relationship with Cirk. But keeping Cirk on the straight-and-narrow proves impossible, dragging Tell back into the darkness of his past.

For as long as she can remember, 16 year-old Gracie has been raising her four siblings, each of whom has a different, absent father and their mother is on the fast track to self-destruction. When these children’s lives are about to be pulled apart, Gracie will have to do the impossible and make the ultimate sacrifices to keep her family together.

A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.

JUMP is a psychological drama revealing for the first time the extraordinary circumstances behind the unjust murder trial of the young Jew, Philippe Halsman, who would later become the most sought after celebrity portrait photographer of his generation.

After a family tragedy in the chaotic city, Chris and Maggie Conley, in a last-ditch effort to save their dying marriage, purchase an isolated home in the deepest woods, to which they quickly discover evil has a key.

Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.

A conman gains the power to see and communicate with ghosts and decides to use it to make money. His happy-go-lucky lifestyle goes for a toss when a ghost who is his look-alike approaches him with an offer.

Carrie Bishop (Booth) lives for her successful career as an event planner in New York City, but her life changes in an instant after a nasty car accident in a snowstorm. Carrie suffers head trauma and regains consciousness in Central Park with an older man, Henry (Derek McGrath, “Little Mosque on the Prairie”). Henry is Carrie’s spirit guide and is there to help her “pass over” to Heaven. But before Carrie can move on, she must fulfill one last task on Earth – a type of Angel Duty. Henry tells Carrie that she must help guide a widowed, young restaurant owner, Scott Walker, (McGillion) who has recently considered suicide because his beloved restaurant/catering business is utterly failing. Carrie befriends Scott and his 8-year-old daughter and immediately displays a knack for promoting the restaurant. But time isn’t on Carrie’s side on this mission. She has until midnight Christmas Eve to turn the eatery around…