Elaine and Ed Kendall have more than their share of grief and suffering. Once a young couple in love they now struggle for a sense of stability in their Staten Island home. Their eldest son is suffering from the physical and psychological effects of war; his younger brother takes it upon himself to bring him peace and relief. Meanwhile, their special needs daughter brings another kind of chaos to the family. Even though Ed and Elaine explore options for her care, they’re really just hanging on to hope that things improve somehow.

TV drama based on Richard Burton’s diaries, about his last performance in 1983 with ex-wife Elizabeth Taylor. They meet after several years and he agrees to her suggestion that they star in a stage revival on Broadway of Noel Coward’s comedy ‘Private Lives’, although Elizabeth Taylor has never before performed on stage. Burton soon regrets his agreement, however, when her pill-popping and lack of discipline causes problems already during the rehearsals. The play opens to a critical trashing, but is popular with audiences because they just want to see Taylor. After a two month troubled run, the curtain comes down and Taylor tells Burton she has always loved him and still does. A year later he is dead.

On a foggy day, Julia’s six-year-old son Jens is called missing. Despite a thorough search, the boy is never found. Twenty years later, Julia’s father receives one of the shoes Jens was wearing the day he disappeared. Who sent it? Why? Is the boy still alive? This inexplicable act suddenly awakens a hope in Julia that she might see her son again… or that she could find his body and murderer. As she returns to her father’s island, she hears stories of the mythical Nils Kant – a murderer who once was the terror of the island. He is dead and buried for years, long before Julia’s son disappeared. But Julia’s father uncovers that his death and burial were only a fake. While on his tracks, Julia accepts the help and love of Lennart, a local police inspector. His dark and mysterious past brings him a lot closer to Jens’s disappearance that she might think…

A guy (Jesse Bradford) has his life planned out, until he is wooed, groomed and then dumped by an elusive woman (Elisha Cuthbert).

Neil is a painter and graphic designer. On a morning just like any other morning his girlfriend Amanda leaves him and moves out of their house (don’t worry, it’s a rental.) That morning Neil tries to cope as best he knows how, but in a strange turn of events he ends up shooting back a glass of bleach. He wakes up to suicide watch and court appointed therapy as well as the empty void Amanda left. Now Neil has to decide what he can do to feel better about himself. Should he get Amanda back? Make his old friends like him again? Confront his estranged father? Eat a ton of Chinese food? Or maybe he should just finish his latest goddamned painting. Will he figure it out? Well you better hope so.

A wheelchair-bound woman manipulates her family to a point where they suspect she may be unhinged.

Montse is very excited because she is about to spend a weekend with the whole family at her house in Cadaqués, on the Costa Brava. She has been divorced for a long time, her ex has a new partner, her children have grown up and have been living her life for a long time without paying any attention to her, but nothing and no one will be able to upset Montse’s spirits; She has been waiting for this moment for too long, too long that she has dreamed of him: this weekend will be an ideal weekend… even if she has to burn everything to do so.

A team of the best cops in Mumbai is dispatched to find a girl who has gone missing from her father’s car. As the hunt for the kidnapper begins, fingers suspiciously point to closer home.

A wayward millennial escapes to a South Dakota ranch, unhinging her Uncle’s placid alcoholic life.

Lifelong friends stumble back home after high school when word goes out on Facebook that the most popular among them has died. Old girlfriends, boyfriends, new lovers, parents, your first dead friend – how do people deal? The reunion stirs up sticky feelings of love, longing and regret, and the novelty of forgiveness, mortality and gratitude.

Max (David Schwimmer), an alpha-male commitment-phobic sports broadcaster, and Jay (Jason Lee), a neurotic novelist, have been best friends since childhood. Jay sets Max up with his editor Samantha (Mili Avital). Although they share few interests, they are engaged within two weeks. Still, when Max is confronted with the fact that Sam will be the last woman he will sleep with, he proposes a test. Jay will hit on Sam. If she shows no interest, then Max will be confident enough in her loyalty to go ahead with the marriage. Though when Jay hits on Sam, they end up falling in love with each other.

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud’s nephew Lon admires Hud’s cheating ways, though he soon becomes too aware of Hud’s reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He’s a cheat, but, he explains, “I always say the law was meant to be interpreted in a lenient manner.”