The true story of mountain climber Aron Ralston’s remarkable adventure to save himself after a fallen boulder crashes on his arm and traps him in an isolated canyon in Utah.
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An abused beagle runs away from his owner. On the road, he meets young Marty Preston and follows him home. The boy immediately forms a bond with the dog and names him Shiloh. His stern father won’t let him keep the dog because it belongs to Judd Travers, a local hunter. After Shiloh is mistreated again, he runs away and returns to Marty. Knowing his father will once again make him bring Shiloh back to Judd, he makes a home for the dog in an old shed up the hill from the Prestons’ house and hides him from his family. His secret is soon discovered when a stray attacks the dog one night and he must turn to his father for help.
Terako (Sakura Ando) is a young woman without a job. She has an affair with Iwanaga (Arata Iura) who is married. His wife is in a coma. One day, Terako’s friend kills herself. After that, Terako sleeps all day long and wakes up only when Iwanaga calls her.
Sodium Party follows Claire through a harrowing childhood to university where she meets Danny, a frequently intoxicated photographer who exposes her to real life through a cocktail of love and drugs. Their relationship is tested when ghosts of Claire’s tumultuous past manifest through super 8 home movie footage causing her world to unravel.
A powerful true story about the journey of a troubled teenage girl who finds healing in the most unlikely of places, and who must choose to either invest in her own recovery or succumb to the trauma of her past.
An account of serial killer Richard Ramírez and his rampage in California during the mid-1980s.
Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.
It’s 1348. The plague has brutally hit Florence. A group of then young people, seven women and three men, rebel against the feeling of death that is about to swallow them. They flee the city and find refuge in an abandoned villa in the Tuscan hills. Here, between moral doubts and the tasks needed to survive, they kill time by telling each other stories until they will decide to return. The stories are varied – tragic, bizarre, funny or erotic – but common and central to all of them is the female presence.
In the year 2025, a young man’s superintelligent AI system tells him that he must go on a date or face certain suicide from loneliness.
The Democratic Republic of Congo has endured 20 years of devastating violence. Rape has been used as a weapon of war to destroy community and access precious minerals. Congo is often referred to as “the worst place in the world to be a woman.” CITY OF JOY tells a different story of the region. The film focuses on Jane, a student at a center where women who have suffered unimaginable abuse join together to become leaders. We also meet the founders of the center: a devout Congolese Doctor (Dr Denis Mukwege, 2016 Nobel Peace Prize nominee) a Congolese activist (Christine Schuler-Deschryver) and a radical N.Y. playwright (Eve Ensler, author of The Vagina Monologues). The film weaves between joy and pain as these individuals band together to demand hope in a place so often deemed hopeless.
La Traviata, My Brothers and I tells the story of 14-year-old Nour (Maël Rouin-Berrandou), growing up in a housing project in the South of France, with his older brothers, who take turns caring for their ailing mother, who is in a coma. Nour dreams of becoming the new Luciano Pavarotti, inspired by La Traviata, an opera he knows well because his Italian father wooed his North African mother by singing its arias to her. Between his work in the community and rising tensions at home, Nour dreams of escaping to a faraway place. When he crosses paths with Sarah (Judith Chemla, A Woman’s Life, AF FFF17), an Opera singer teaching summer classes, he finally finds the opportunity to come out of his shell and explore new horizons.
Unsure of what to do next, 23-year-old Marnie tries her best to navigate life after college in this romantic comedy. Still partying like there’s no tomorrow, Marnie drags herself out of bed for her miserable temp job and can’t decide whether she’s wasting her time going after best buddy Alex, who doesn’t seem to be interested.
Recently divorced career woman Alex Greville begins a romantic relationship with glamorous mod artist Bob Elkin, fully aware that he’s also intimately involved with middle-aged doctor Daniel Hirsh. For both Alex and Daniel, the younger man represents a break with their repressive pasts, and though both know that Bob is seeing both of them, neither is willing to let go of the youth and vitality he brings to their otherwise stable lives.