Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
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Lucas Simons has become obsessed with death following the loss of his older brother. A shy child, Lucas spends most of his free time filming funerals in an attempt to understand what happens when we die. When Lucas accidentally captures a mysterious presence in one of his films and posts it online, he inadvertently becomes a YouTube phenomenon and the target of media speculation. Suddenly, he and his grief-numbed parents find themselves thrust into the spotlight, shaking them out of their complacency while complicating their relationship. Lucas’s quest for answers leads him toward an unlikely friendship with Chris Brighton (Tim Meadows), a local author who died for nine minutes and lived to tell about it. As Chris takes on a mentor role to Lucas, he helps him navigate the fame while teaching him how to embrace life again and live larger than the shadow of death. (from Nashville Film Festival)
Billy Lo is a Hong Kong-based movie actor, who is a box office draw. His girlfriend, Ann Morris, is a singer who is also climbing to the top. Now it seems the syndicate wants Billy and Ann to join their “management firm”. But Billy knows that they will be treated like property, so he refuses and tells her to do the same. So they try to “encourage” him to join but he still refuses. He would be advised that they will not stop, so he must stop them, permanently. He is even more hesitant to do that but when an attempt on his life is made, he fakes his death and alters his appearance, and decides to go after the syndicate; taking them out one at a time.
Jae-ho, who aims to become the number one in a crime organization, gets to build up trust with Hyun-su, an ambitious newbie in the prison. While they try to take over the organization after the prison release, their ulterior motives starts to emerge.
Will a mysterious stranger’s past wreak havoc on a quiet Amish community after they’ve opened their doors — and hearts — to him and his son?
A male chauvinist guru guides his best prodigy through the art of controlling women, only for the student to find out he is not everything that he seems.
David Hare concludes his trilogy of films about MI5 renegade Johnny Worricker with another fugue on power, secrets and the British establishment. Johnny Worricker goes on the run with Margot Tyrell across Europe, and with the net closing in, the former MI5 man knows his only chance of resolving his problems is to return home and confront prime minister Alec Beasley.
Meghan Doherty is a young, talented executive who neglects her mother and close friends to focus on one goal MAKING MONEY. After closing a multi-million dollar deal Meghan is asked by Mr. Randolph Whitaker (her boss/CEO) to close a deal of a lifetime. She’s taking her talent to the Mojave Desert in hopes of getting a Christian land owner to turn over his land before auction. With a $100 million dollar potential deal looming, there is nothing that will stand in the way of her getting what she needs to further her career. Not even GOD? The foreclosed land in question, called God’s Country, is owned by Eden Graham, a minister who runs a youth camp there, along with his wife and son, Jake. Upon arrival at the camp in her Ferrari and designer clothes, Meghan is clearly not a good fit, but Eden persuades her to stay; he promises to sign over the property to her if, during her weeklong sojourn there at the camp, she is not convinced of the value of what they are doing.
The seven old friends decide to come together for dinner. Everyone is seated at the table, chatting, eating laughing accompaniment. During the meal, it is decided to play a game. The game is pretty simple; everyone will put their phones on the desk, every incoming message and notification will be read aloud. Their relationship begins to deteriorate. The group who thinks they are very close friends for so long are in fact alien to each other.
In 1974, 24 year-old Francis Wetherbee, a bank teller who is the subject of small-town envy and gossip, disappears from her hometown of Smithville, Texas two weeks after her fiance’s bank is robbed. Her car is dredged from the bottom of a local river but it yields no clues. After a vigorous but futile search for the missing woman, the authorities give up, and Francis recedes into legend–until the case is revisited nearly 40 years later when key figures in her life come forward with theories and clues surrounding her disappearance. The film then morphs from documentary style to narrative as the odyssey of Francis’ life unfolds for the audience and the truth is revealed.
Rose and Sammy enjoy an idyllic life with love, a Hollywood Hills home, and a curious son. During a party, Sammy assigns unusual significance to it, while Rose juggles preparations amid distractions. The unexpected arrival of Helen, who claims residence there, oscillates between confusion and lucidity. Strangely, Helen possesses intimate knowledge of the house and its guests: an Ingenue, a director, and Rose’s former flame. Helen’s revelations during the party spark drama, unearthing hidden truths and compelling Rose to confront her past, future, and the desire for change.
