After her twin sister is accused of witchcraft and beheaded by a fanatical religious cult, a young woman walks the razor sharp edge between myth and reality seeking the truth, hoping not to lose her head in the process.
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Legendary New York graffiti artist Lee Quinones plays the part of Zoro, the city’s hottest and most elusive graffiti writer. The actual story of the movie concerns the tension between Zoro’s passion for his art and his personal life, particularly his strained relationship with fellow artist Rose
Ruthless killer for hire breaks the rules of his profession and falls for a beautiful young woman. Discovering the notorious gangland brothers had hired him to kill her father, his world breaks down and he must turn against his criminal employers and their gang to save the woman he loves.
Tharlo is an orphan. Now grown up, he makes a living as a sheep herder in the village. He has grown a ponytail, so people simply call him “Ponytail”, since nobody remembers his real name anyway. Tharlo has a remarkable memory. He remembers so many things, except his own name. He is now in his forties, and he has yet to have his first woman. Now Tharlo goes to town to take a photo for his identity card. He meets a girl in the barber’s shop who changes the course of his life. He embarks on the journey to find his true self. He sells all his sheep and those entrusted by other villagers to him for care, and decides to use the money to go out into the world with the girl, only to find himself being deceived and cheated by her. Ironically, in his journey of self-discovery, Tharlo has lost his sense of self. As he witnesses in the mirror his ponytail being cut off and leaving him bald, he can no longer see himself as a man with a history that he recognizes.
A feudal war is caused between Jassa and his cousins over the ownership of a piece of land. This leads to their families becoming sworn enemies for generations thereafter.
While mainland Britain shivers in deepest winter, the northern island of Fara bakes in the nineties, and the boys at the Met station have no more idea what is going on than the regulars at the Swan. Only a stand-offish visting scientist realizes space aliens are to blame.
The Orient Express, on it’s night trip from Munich to Venice, is full because of the beginning of the carnival in Venice. Between the passengers are a journalist, an actress and her daughter, an elder dancer, five neo-nazi punks and a strange man that seems to have some kind of influence over them through their dreams.
Jody Ann Howells, a survivor of the Still Rivers Massacre now working in Bail Enforcement, is on the trail of her latest perp, a young woman who is on the run after being found on the scene of a horrific murder, a young woman who may be connected to her past. As Howells closes in on her she discovers that the killer she faced all those years ago may still be alive and kicking and he has his sights on a family making a cross country road trip, only this time he’s not alone.
Carlos is a man who goes to a coffee shop-library to take a cup, where Irene is reading a book. Not a reason for it, Irene close to Carlos and talks with him, starting a friendship with a little rules: no pasts, no birth names, no modern ways to contact between them (as Internet or similar), and finally not falling in love each other. Calling themselves Hada Chalada (‘Crazy Fairy’) and Duende Chiflado (‘Mad Goblin’), both pass the days walking around the city engaged with magic, surrealist and funnies conversations about life, love and themselves, at the same time that Carlos tries to end his new script with his friend Cristóbal, and eccentric writer obsessed with Japan.
Dark Night enigmatically unfolds over the course of a lazy summer day, as it traces the events leading up to a mass shooting in a suburban multiplex. Abandoning the narrative confines of the true crime genre, the story is told through fragmented moments from the lives of several characters, whose fates are tragically intertwined. As the sky grows darker, the placid surface of daily life becomes disturbed by a lurking and inevitable horror.