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Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
Lizzie’s best friend, Andie, becomes pregnant and offers to give the baby to her. Lizzie’s husband, Peter, reluctantly goes along with being the child’s father, and Andie moves into the guest room for the remainder of the pregnancy.
The story of a young boy in the Midwest is told simultaneously with a tale about a young girl in New York from fifty years ago as they both seek the same mysterious connection.
The story of the 2000 K-141 Kursk submarine disaster and the governmental negligence that followed. As the sailors fight for survival, their families desperately battle political obstacles and impossible odds to save them.
The Square, a new film by Jehane Noujaim (Control Room; Rafea: Solar Mama), looks at the hard realities faced day-to-day by people working to build Egypt’s new democracy. Catapulting us into the action spread across 2011 and 2012, the film provides a kaleidoscopic, visceral experience of the struggle. Cairo’s Tahrir Square is the heart and soul of the film, which follows several young activists. Armed with values, determination, music, humor, an abundance of social media, and sheer obstinacy, they know that the thorny path to democracy only began with Hosni Mubarek’s fall. The life-and-death struggle between the people and the power of the state is still playing out.
The beautiful highlander Halka falls in love with the rich nobleman Janusz and rejects the adoring highlander Jontek. However, he soon finds out that the lord’s love promises cannot be trusted. This is the plot of one of the most famous Polish operas in a nutshell. Konstanty Meglicki’s Halka is one of three Polish pre-war adaptations of Stanisław Moniuszko’s work.
Kuki is a veteran newspaper reporter who has been shuffled off to a book-development branch and finds escape in an illicit relationship with Rinko. Together they find the passion no longer present in their marriages.
Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.