In Los Angeles, two rival gang leaders are also trying to be music producers. When DJ’s equipment shorts out and Lonzo is cut out of the action by a record producer, the two join forces, which also requires a tentative peace between gangs. With backing from Gator, a smooth New Orleans drug king, DJ and Lonzo start dealing, organizing their gangs into pushers. Just as their finances are looking up, one of Gator’s team pulls a double cross and two of DJ and Lonzo’s gang bangers start a shooting war. Can the erstwhile music producers salvage anything of their bond or their plans?
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After being discharged from the Army, Brian Flanagan moves back to Queens and takes a job in a bar run by Doug Coughlin, who teaches Brian the fine art of bar-tending. Brian quickly becomes a patron favorite with his flashy drink-mixing style. Brian adopts his mentor’s cynical philosophy on life and goes for the money. He leaves his artist girlfriend Jordan Mooney for Bonnie, a wealthy, high-powered executive. Brian soon must chose between the two, as he evaluates his options.
A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression.
Jakob arrives at the Institute Benjamenta (run by brother and sister Johannes and Lisa Benjamenta) to learn to become a servant. With seven other men, he studies under Lisa: absurd lessons of movement, drawing circles, and servility. He asks for a better room. No other students arrive and none leave for employment. Johannes is unhappy, imperious, and detached from the school’s operation. Lisa is beautiful, at first tightly controlled, then on the verge of breakdown. There’s a whiff of incest. Jakob is drawn to Lisa, and perhaps she to him. As winter sets in, she becomes catatonic. Things get worse; Johannes notes that all this has happened since Jakob came. Is there any cause and effect?
Winter 1839. LIBERTY, MISSOURI. Local jailer, Samuel Tillery is tasked with watching Missouri’s most wanted men as they await their upcoming hearing. Caught between the local Missourians’ increased drive to remove the prisoners, and the prisoners’ desperate efforts to survive, Tillery is pushed beyond what any lawman can endure. Based on actual recorded accounts, OUT OF LIBERTY is an intense, evocative western, with an outcome you have to see to believe.
Russia, 1870. A group of young anarchist revolutionaries set out to overthrow the Czarist regime through violence. Their attacks create a climate of psychosis and mutual distrust among the population, but in reality, both revolutionaries and repressors are being manipulated by a diabolical individual.
Émilie meets Camille who is attracted to Nora, who crosses paths with Amber. Three girls and a boy – They’re friends, sometimes lovers and often both.
Radhika, a journalism intern is investigating bike riders violating traffic on a city flyover, turns sinister when she becomes prime suspect in the mysterious death of one of the motorists, she is forced to prove her innocence and find the real culprit.
A “romantic comedy” based loosely on the suicide of the poet Henrich von Kleist in 1811.
The Dunderheads are an eccentric Montana family who’ve been in the mountains for far too long. Now one step ahead of the law, matriarch Grandma Ira flees to Canada with her two wildly dysfunctional teenage grand kids, across the American West into a comic collision with the mainstream world. Montana Amazon is a both funny and poignant fable on the nature of the human family.
Young Katherine and her older friend Hester live at the isolated farm run by Hester and her father Francis. Katherine works as a maid and wants to leave that place because there’s too much work. Hester, however, gets attracted to Katherine and hold her there, promising to give her less work in the future. When old Francis dies, Hester decides to sell the farm for cash. They move to small cottage on the edge of the farm and plan to go to Europe for the money they got. But tragic accident and theft of their money change their plans.
From front rooms, Black families, friends, students and older generations navigate British and American society today.