The story takes place in alternative America where the blacks are members of social elite, and whites are inhabitants of inner city ghettos. Louis Pinnock is a white worker in a chocolate factory, loving husband and father of two children. While delivering a package for black CEO Thaddeus Thomas, he is mistaken for a voyeur and, as a result, loses his job, gets beaten by black cops and his family gets evicted from their home. Desperate Pinnock takes a gun and kidnaps Thomas, demanding justice.
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Recently promoted and transferred to the homicide division, Inspector Jessica Shepard feels pressure to prove herself — and what better way than by solving San Francisco’s latest murder? However, as Shepard and her partner, Mike Delmarco, soon discover, the victim shared a romantic connection to her. As more of Shepard’s ex-lovers turn up dead, her mind starts to become unstable, and she begins to wonder if she could be the very killer she’s trying to track down.
Almost rich, almost thirty, he never lies or cheats, even when his beautiful fiancé orders him around and his ball-busting boss uses threats as motivation. John never makes a sound, eager to do right. Rick Carlson is not. A smooth talking and coercive, Rick turns John’s life upside down when he not only moves into his building, but starts working at his competitive law firm.
When the plots of reclusive author Elly Conway’s fictional espionage novels begin to mirror the covert actions of a real-life spy organization, quiet evenings at home become a thing of the past. Accompanied by her cat Alfie and Aiden, a cat-allergic spy, Elly races across the world to stay one step ahead of the killers as the line between Conway’s fictional world and her real one begins to blur.
The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.
As a kid, Leo thought he possessed, like a magician, the secret power to make things happen. As a young man, he certainly knows how to make things happen with women. But as his best friend Krantz would say to him, “Why do you always ask questions you already know answers to?”. Leo believes firmly in what he invents from one day to the next. Images, impressions, stories fill his head. That’s just how he is: life, for Leo, is just a game. Behind this childlike attitude, hides the very essence of his own life’s quest.
A self-help seminar inspires a sixty-something woman to romantically pursue her younger co-worker.
A recent high school graduate is faced with two options, either go to a business school where his father wants him to go to, or get a full time job. However he decides to defy his father and go to Hawaii. Trouble is he has no money. Along the way he comes to understand his parents and eventually bonds with his father.
In 1953, two young Italian children are promised in marriage by their fathers. Twenty one years on – despite changing times, fading traditions and 70’s liberation – the pair are expected to marry, or face the consequences.
During World War II in the freezing Netherlands winter of 1944/1945 the western Netherlands are in the grip of a famine. Many people move east to provide for their families. Fourteen year old Michiel can’t wait to join the Dutch resistance, to the dismay of his father, who, as mayor, works to prevent escalations in the village.